{"id":30746,"date":"2025-01-23T12:13:26","date_gmt":"2025-01-23T11:13:26","guid":{"rendered":"https:\/\/encyclobjects.com\/?p=30746"},"modified":"2026-01-15T19:02:35","modified_gmt":"2026-01-15T18:02:35","slug":"zaha-hadid-dynamic-architecture","status":"publish","type":"post","link":"https:\/\/encyclobjects.com\/en\/zaha-hadid-dynamic-architecture\/","title":{"rendered":"Zaha Hadid, dynamic and curvilinear architecture"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row admin_label=&#8221;1 &#8211; Introducci\u00f3n a Zaha Hadid&#8221; _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;1 &#8211; Introducci\u00f3n a Zaha Hadid&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 ez-toc-wrap-left counter-hierarchy ez-toc-counter ez-toc-transparent ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Index<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999999;color:#999999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999999;color:#999999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 eztoc-toggle-hide-by-default' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/encyclobjects.com\/en\/zaha-hadid-dynamic-architecture\/#Introduction_to_Zaha_Hadid\" >Introduction to Zaha Hadid<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/encyclobjects.com\/en\/zaha-hadid-dynamic-architecture\/#Biographical_excerpt\" >Biographical excerpt<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/encyclobjects.com\/en\/zaha-hadid-dynamic-architecture\/#Architectural_concept\" >Architectural concept<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/encyclobjects.com\/en\/zaha-hadid-dynamic-architecture\/#Awards\" >Awards<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/encyclobjects.com\/en\/zaha-hadid-dynamic-architecture\/#Selected_work\" >Selected work<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/encyclobjects.com\/en\/zaha-hadid-dynamic-architecture\/#Architecture\" >Architecture<\/a><ul class='ez-toc-list-level-4' ><li class='ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/encyclobjects.com\/en\/zaha-hadid-dynamic-architecture\/#Vitra_Fire_Station_1990%E2%80%931993\" >Vitra Fire Station (1990\u20131993)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-8\" href=\"https:\/\/encyclobjects.com\/en\/zaha-hadid-dynamic-architecture\/#Bergisel_Ski_Jumping_Platform_1999-2002\" >Bergisel Ski Jumping Platform (1999-2002)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-9\" href=\"https:\/\/encyclobjects.com\/en\/zaha-hadid-dynamic-architecture\/#Glasgow_Riverside_Transport_Museum_2004-2011\" >Glasgow Riverside Transport Museum (2004-2011)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-10\" href=\"https:\/\/encyclobjects.com\/en\/zaha-hadid-dynamic-architecture\/#Heydar_Aliyev_Center_2004-2012\" >Heydar Aliyev Center (2004-2012)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-11\" href=\"https:\/\/encyclobjects.com\/en\/zaha-hadid-dynamic-architecture\/#Corona_Messner_mountain_museum_2004-2012\" >Corona Messner, mountain museum (2004-2012)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-12\" href=\"https:\/\/encyclobjects.com\/en\/zaha-hadid-dynamic-architecture\/#Antwerp_Port_Authority_Building_2009-2016\" >Antwerp Port Authority Building (2009-2016)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-13\" href=\"https:\/\/encyclobjects.com\/en\/zaha-hadid-dynamic-architecture\/#Capital_Hill_Residence_Moscow_2006-2018\" >Capital Hill Residence, Moscow (2006-2018)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-14\" href=\"https:\/\/encyclobjects.com\/en\/zaha-hadid-dynamic-architecture\/#Beijing_Daxing_International_Airport_2014-2019\" >Beijing Daxing, International Airport (2014-2019)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-15\" href=\"https:\/\/encyclobjects.com\/en\/zaha-hadid-dynamic-architecture\/#Opus_Building_Dubai_2012-2020\" >Opus Building, Dubai (2012-2020)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-16\" href=\"https:\/\/encyclobjects.com\/en\/zaha-hadid-dynamic-architecture\/#One_Thousand_Museum_Miami_2012-2020\" >One Thousand Museum, Miami (2012-2020)<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-17\" href=\"https:\/\/encyclobjects.com\/en\/zaha-hadid-dynamic-architecture\/#Design\" >Design<\/a><ul class='ez-toc-list-level-4' ><li class='ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-18\" href=\"https:\/\/encyclobjects.com\/en\/zaha-hadid-dynamic-architecture\/#Aria_Lamp_Slamp_2013\" >Aria Lamp, Slamp (2013)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-19\" href=\"https:\/\/encyclobjects.com\/en\/zaha-hadid-dynamic-architecture\/#Bow_Chair_2018\" >Bow Chair (2018)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-20\" href=\"https:\/\/encyclobjects.com\/en\/zaha-hadid-dynamic-architecture\/#Branch_Console_2024\" >Branch Console (2024)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-21\" href=\"https:\/\/encyclobjects.com\/en\/zaha-hadid-dynamic-architecture\/#Crevasse_Vase_2005-2011\" >Crevasse Vase (2005-2011)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-22\" href=\"https:\/\/encyclobjects.com\/en\/zaha-hadid-dynamic-architecture\/#Floating_staircase_2012\" >Floating staircase (2012)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-23\" href=\"https:\/\/encyclobjects.com\/en\/zaha-hadid-dynamic-architecture\/#Hotel_Puerta_de_America_Madrid_2005\" >Hotel Puerta de Am\u00e9rica, Madrid (2005)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-24\" href=\"https:\/\/encyclobjects.com\/en\/zaha-hadid-dynamic-architecture\/#Moon_System_2007\" >Moon System (2007)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-25\" href=\"https:\/\/encyclobjects.com\/en\/zaha-hadid-dynamic-architecture\/#Stuart_Weitzman_Store_Milan_2013-2014\" >Stuart Weitzman Store, Milan (2013-2014)<\/a><\/li><\/ul><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-26\" href=\"https:\/\/encyclobjects.com\/en\/zaha-hadid-dynamic-architecture\/#Some_quotes_from_Zaha_Hadid\" >Some quotes from Zaha Hadid<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-27\" href=\"https:\/\/encyclobjects.com\/en\/zaha-hadid-dynamic-architecture\/#Opinion\" >Opinion<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-28\" href=\"https:\/\/encyclobjects.com\/en\/zaha-hadid-dynamic-architecture\/#Information_bibliography_and_media\" >Information, bibliography and media<\/a><\/li><\/ul><\/nav><\/div>\n<h2><span class=\"ez-toc-section\" id=\"Introduction_to_Zaha_Hadid\"><\/span>Introduction to Zaha Hadid<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><strong>Zaha Hadid,<\/strong> an Anglo-Iraqi architect, born in <strong>Baghdad <\/strong>in<strong> 1950<\/strong>, brought a <strong>new vision<\/strong> to contemporary architecture. Her <strong>daring projects<\/strong> and her <strong>unmistakable curvilinear stamp<\/strong> took her to the top of <strong>21st<\/strong> century architecture. <\/p>\n<p>His projects never left anyone indifferent, in fact, they changed many notions, until then <strong>&#8220;bibles&#8221;,<\/strong> of the <strong>architectural concept<\/strong>. His inspiration gave his projects an <strong>unwavering optimism<\/strong>, which led science to face everything. Any constructive problem was, for <strong>Zaha Hadid<\/strong>, <strong>a new motivation<\/strong>. It has always remained on <strong>the frontier of innovation<\/strong>, always providing a good percentage of <strong>construction &#8220;novelties&#8221;,<\/strong> outside of any architectural trend.   <\/p>\n<p><strong>Zaha Hadid<\/strong> fed on <strong>challenges<\/strong>, on <strong>implausible forms<\/strong>, on <strong>risky concepts<\/strong> within <strong>firm and clear ideas<\/strong>, the product of her <strong>constant observation<\/strong>. For her <strong>, there are no impossibles<\/strong>. <\/p>\n<p>&#8211; <em>&#8220;Nature has done it before.&#8221;<\/em> I don&#8217;t know if she really said it, but it&#8217;s a <strong>good justification<\/strong> for her architecture. <\/p>\n<p>We lost it in <strong>2016<\/strong>. Before, in <strong>2004<\/strong>, she received the <strong>Pritzker Architecture Prize<\/strong>, considered the <strong>Nobel Prize for Architecture<\/strong>, being, so far, <strong>the only woman<\/strong> to receive this award. <\/p>\n<p>These lines serve to introduce you to the <strong>exciting work<\/strong> of this extraordinary <strong>architect<\/strong>.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=&#8221;2 &#8211; Extracto biogr\u00e1fico&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2025\/01\/architectural-association-school-of-architecture-1080x729px.jpg&#8221; alt=&#8221;Architectural Associaton. Image of the fa\u00e7ade of the School of Architecture in Bedford Square, 35 London. &#8221; title_text=&#8221;architectural-association-school-of-architecture-1080x729px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Extracto biogr\u00e1fico&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\">Fa\u00e7ade of the <a title=\"Architecture Association School of Architecture\" href=\"https:\/\/www.aaschool.ac.uk\/about\/bedfordsquare\" target=\"_blank\" rel=\"nofollow noopener\">Architecture Association School of Architecture<\/a> at <strong>Bedford Square, 35 London.<\/strong><\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;2 &#8211; Extracto biogr\u00e1fico&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Biographical_excerpt\"><\/span>Biographical excerpt<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<div class=\"mw-heading mw-heading2\">\n<p>Born on October 31, <strong>1950<\/strong> in <strong>Baghdad, <b>Dame Zaha Mohammad Hadid <\/b><\/strong>belonged to an upper-class Sunni Arab family. His father, <strong>Muhammad Hadid<\/strong>, a wealthy industrialist in <strong>Mosul<\/strong>, founded the <strong>al-Ahali<\/strong> group in <strong>1932<\/strong> (liberal left) and later became vice-president of the <strong>National Democratic Party<\/strong>, culminating his political career as <strong>Minister of Finance<\/strong> under General <strong>Abd al-Karim Qasim<\/strong>. <\/p>\n<p>Educated in her childhood in <strong>Baghdad<\/strong> by French Catholic nuns, she continued her education in <strong>Switzerland<\/strong> and <strong>Britain<\/strong>. He returned to <strong>Beirut<\/strong> to study <strong>mathematics<\/strong> at the <strong>American University of Beirut<\/strong>. After finishing these studies he returned to <strong>London<\/strong> to study at the <a title=\"Architectural Association School of Architecture\" href=\"https:\/\/es.wikipedia.org\/wiki\/Architectural_Association_School_of_Architecture\" rel=\"nofollow noopener\" target=\"_blank\">Architectural Association<\/a> obtaining his diploma in <strong>1977<\/strong>.  <\/p>\n<p>A student of <a title=\"Rem Koolhaas\" href=\"https:\/\/es.wikipedia.org\/wiki\/Rem_Koolhaas\" rel=\"nofollow noopener\" target=\"_blank\">Rem Koolhaas<\/a> and <strong>Elia Zenghelis<\/strong> (with whom she would become a partner in the <a title=\"Office for Metropolitan Architecture\" href=\"https:\/\/es.wikipedia.org\/wiki\/Office_for_Metropolitan_Architecture\" rel=\"nofollow noopener\" target=\"_blank\">Office for Metropolitan Architecture<\/a>), in <strong>1979<\/strong> she established her own studio in <strong>London<\/strong> (Zaha Hadid Architects <strong>ZHA).<\/strong><\/p>\n<p>She died on March 31, <strong>2016<\/strong> at the age of sixty-five due to a heart attack at <strong>Mount Sinai Medical Center<\/strong> in <strong>Miami Beach<\/strong>, where she was being treated for bronchitis.<\/p>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=&#8221;3 &#8211; Concepto arquitect\u00f3nico&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2025\/01\/heydar-aliyev-center-zha-900x600px.jpg&#8221; alt=&#8221;Heydar Aliyev Center, image. One of the best projects by Zaha Hadid Architects. Baku, Azerbaijan.  &#8221; title_text=&#8221;heydar-aliyev-center-zha-900x600px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Concepto arquitect\u00f3nico&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\">Image: <strong>Heydar Aliyev Cultural Center<\/strong><strong>.<\/strong><\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;3 -Concepto arquitect\u00f3nico&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Architectural_concept\"><\/span>Architectural concept<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>From what we know built from <strong>Zaha Hadid&#8217;s<\/strong> projects, we could say, not without some risk, that her architecture could be included within <strong>deconstructive architecture.<\/strong><\/p>\n<p>This architectural concept emerged in the <strong>1980s<\/strong> and is linked, or has a certain similarity, to the <strong>Russian Constructivism of the 1920s<\/strong>. The father of what we call <strong>Deconstruction<\/strong> is the French philosopher <a title=\"Jacques Derrida\" href=\"https:\/\/es.wikipedia.org\/wiki\/Jacques_Derrida\" target=\"_blank\" rel=\"nofollow noopener\">Jacques Derrida<\/a>. <\/p>\n<p>We can include in this architectural style <strong>Peter<\/strong> <strong>Eisenman<\/strong>, <strong>Frank O. Gehry<\/strong>, <strong>Zaha Hadid<\/strong>, <strong>Rem Koolhaas<\/strong>, <strong>Daniel Libeskind<\/strong> and <strong>Bernard Tschumi<\/strong>. Some of his works contributed to the <strong>exhibition &#8220;Deconstructivist Architecture&#8221; <\/strong>held at the<strong> MoMA <\/strong>(Museum of Modern Art in New York) in <strong>1988<\/strong>. <\/p>\n<p>This movement has been considered as a<strong>simple and whimsical formal expression<\/strong>. Something that leads the function <strong>to depend<\/strong> hierarchically on <strong>the form<\/strong>. However, it is not exactly like that: it consists of <strong>showing contradictions<\/strong> and<strong> dispensing with classical parameters<\/strong>, ignoring <strong>right angles<\/strong>, <strong>proportions<\/strong> and <strong>regularity<\/strong>. In short, the formation of an <strong>orderly chaos<\/strong> within an unpredictable architecture that causes a <strong>very interesting stimulus.<\/strong>   <\/p>\n<p>What is <strong>Zaha Hadid&#8217;s<\/strong> architectural style like? How do you project? Let&#8217;s take a look:  <\/p>\n<div data-breakout=\"normal\">\n<ul>\n<li>It uses <strong>parametric design<\/strong> with mathematical tools and algorithms for the creation of complex shapes.<\/li>\n<li><strong>Its curves are fluid<\/strong> and often arise from natural organic shapes.<\/li>\n<li><strong>It breaks with traditional architecture<\/strong>, challenging and\/or eliminating its norms (right angles and symmetries)<\/li>\n<li>He uses space as a <strong>dynamic element<\/strong>, his works seem in movement and enjoy spatial fluidity and flexibility.<\/li>\n<li>It integrates technology into architecture, using <strong>advanced software<\/strong> and <strong>3D modeling<\/strong> techniques.<\/li>\n<li>He has an undoubted <strong>influence from art and painting<\/strong> , which leads him to create true iconic shapes.<\/li>\n<\/ul>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=&#8221;4 &#8211; Premios&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2025\/01\/premio-pritzker-medallon-1080x720px.jpg&#8221; alt=&#8221;Pritzker Architecture Prize, image of the medallion, front and back.&#8221; title_text=&#8221;premio-pritzker-medallon-1080x720px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Premios&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\">Image: Front and back of the medallion of the <strong>Pritzker Architecture Prize<\/strong>.<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;4 &#8211; Premios&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Awards\"><\/span>Awards<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>Although the first 10 years of <strong>Zaha Hadid&#8217;s<\/strong> professional career were not prolific in built projects. From <strong>1995<\/strong> his works began to have a <strong>very important international relevance<\/strong>, obtaining unanimous recognition awarded with the following (among many others) awards: <\/p>\n<div data-breakout=\"normal\">\n<ul>\n<li>1994: <a title=\"Erich Schelling Architecture Award\" href=\"https:\/\/es.wikipedia.org\/wiki\/Premio_de_arquitectura_Erich_Schelling\" rel=\"nofollow noopener\" target=\"_blank\">Erich Schelling Architecture Prize<\/a><\/li>\n<li>2002: <strong>Austrian State Prize for Architecture<\/strong> for Bergiselschanze<\/li>\n<li>2003: <a title=\"European Union Prize for Contemporary Architecture \u2013 Mies van der Rohe Award\" href=\"https:\/\/es.wikipedia.org\/wiki\/Premio_de_Arquitectura_Contempor%C3%A1nea_de_la_Uni%C3%B3n_Europea_%E2%80%93_Premio_Mies_van_der_Rohe\" rel=\"nofollow noopener\" target=\"_blank\">European Union Prize for Contemporary Architecture \u2013 Mies van der Rohe Award<\/a>, for the Strasbourg tramway terminal and car park in <strong>Hoenheim<\/strong>, <strong>France<\/strong><\/li>\n<li>2004: <a title=\"Pritzker Prize\" href=\"https:\/\/es.wikipedia.org\/wiki\/Premio_Pritzker\" rel=\"nofollow noopener\" target=\"_blank\">Pritzker Prize<\/a>, being the first woman to win this prize.<sup id=\"cite_ref-elpais_12-1\" class=\"reference separada\"><\/sup><\/li>\n<li>2005: A member <a class=\"mw-redirect\" title=\"Royal Academy of Arts\" href=\"https:\/\/es.wikipedia.org\/wiki\/Royal_Academy_of_Arts\" rel=\"nofollow noopener\" target=\"_blank\">of the Royal Academy of Arts<\/a><\/li>\n<li>2005: <strong>German Architecture Prize<\/strong> for the central building of the <strong>BMW<\/strong> plant in Leipzig<\/li>\n<li>2005: <strong>Designer of the Year Award<\/strong> for <strong>Design Miami<\/strong><\/li>\n<li>2006: <strong>RIBA European Award<\/strong> for <strong>Phaeno Science Centre<\/strong><sup id=\"cite_ref-RIBA_European_Awards_20-0\" class=\"reference separada\"><\/sup><\/li>\n<li>2007: <strong>Thomas Jefferson Medal in Architecture<\/strong><\/li>\n<li>2008: <strong>RIBA European Award<\/strong> for <strong>Nordpark Cable Railway<\/strong><sup id=\"cite_ref-RIBA_European_Awards_20-1\" class=\"reference separada\"><\/sup><\/li>\n<li><a title=\"Praemium Imperiale\" href=\"https:\/\/es.wikipedia.org\/wiki\/Praemium_Imperiale\" rel=\"nofollow noopener\" target=\"_blank\">Praemium Imperiale<\/a> (2009)<sup id=\"cite_ref-21\" class=\"reference separada\"><\/sup><\/li>\n<li>2010: <a title=\"Stirling Prize\" href=\"https:\/\/es.wikipedia.org\/wiki\/Premio_Stirling\" rel=\"nofollow noopener\" target=\"_blank\">Stirling Prize<\/a> (RIBA) for <strong>MAXXI<\/strong><sup id=\"cite_ref-22\" class=\"reference separada\"><\/sup><\/li>\n<li>2013:<strong> 41st Winner of the Veuve Clicquot UK Business Woman Award<\/strong><sup id=\"cite_ref-24\" class=\"reference separada\"><\/sup><\/li>\n<li>2016: <a title=\"Royal Gold Medal\" href=\"https:\/\/es.wikipedia.org\/wiki\/Royal_Gold_Medal\" rel=\"nofollow noopener\" target=\"_blank\">Royal Gold Medal<\/a> (RIBA)<\/li>\n<\/ul>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=&#8221;5 &#8211; Obra seleccionada&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2025\/01\/edificio-autoridad-portuaria-amberes-960x640px.jpg&#8221; alt=&#8221;Port Authority Building, Port of Antwerp, Belgium.&#8221; title_text=&#8221;edificio-autoridad-portuaria-amberes-960x640px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Obra Seleccionada&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\">Image: Impressive rehabilitation <strong>of the Port Authority Building<\/strong>, <strong>Port of Antwerp<\/strong>, <strong>Belgium<\/strong>.<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;5 &#8211; Obra seleccionada&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Selected_work\"><\/span>Selected work<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><strong>Zaha Hadid<\/strong> has accustomed us to <strong>dazzling projects<\/strong>, to unlikely shapes with <strong>innovative solutions and materials<\/strong>. Each and every one of his projects has always contributed something new to architecture, whether it is <strong>innovation in design<\/strong>, <strong>in the materials used<\/strong> or in <strong>the construction processes<\/strong>. <\/p>\n<p>We have divided his work into<strong> 2 large chapters<\/strong>: <strong>Architecture<\/strong> and <strong>Design.<\/strong><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=&#8221;5.1 &#8211; Arquitectura&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2025\/01\/zaha-hadids-520-west-28th-street-980x653px.jpg&#8221; alt=&#8221;Zaha Hadid, building in London, 520 West 28th Street.&#8221; title_text=&#8221;zaha-hadid&#8217;s- 520-west-28th-street-980x653px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Arquitectura&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><strong>ZHA Building (Zaha Hadid Architects)<\/strong> in <strong>London<\/strong>. Image: <a title=\"MR Mann Report\" href=\"https:\/\/www.mannpublications.com\/mannreport\/2017\/08\/30\/zaha-hadids-520-west-28th-street-wins-architecture-award\/\" target=\"_blank\" rel=\"nofollow noopener\">MR Mann Report<\/a>. <\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;5.1 &#8211; Arquitectura&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Architecture\"><\/span>Architecture<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>Undoubtedly, the discipline where <strong>Zaha Hadid<\/strong> has excelled. His <strong>innovative designs<\/strong>, the use of <strong>elaborate solutions<\/strong>, <strong>fluid curves<\/strong> and the <strong>continuous search for light<\/strong> from different angles are some of the main characteristics of his architectural work. <\/p>\n<p>He has also stood out in the use of <strong>new materials<\/strong>, of which he has achieved different uses, with the facades being his most differentiating element. It likes large, <strong>moving<\/strong> <strong>spaces<\/strong>, optimally resolved, <strong>making the most of the space<\/strong> and inviting the user to fully enjoy it.  <\/p>\n<p>His <strong>mathematical knowledge<\/strong> has allowed him to solve any architectural problem and his <strong>constant observation<\/strong> has led him, on many occasions, to faithfully reproduce <strong>natural elements<\/strong> in his work. Here are some of his most emblematic projects: <\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2025\/01\/estacion-de-bomberos-vitra-1080x720px.jpg&#8221; alt=&#8221;Vitra International AG Fire Station. Night view with lighting. &#8221; title_text=&#8221;estaci\u00f3n-de-bomberos-vitra-1080x720px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Estaci\u00f3n de Bomberos Vitra&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><strong>Vitra<\/strong> Fire Station. Seen in <a title=\"ADmagazine\" href=\"https:\/\/www.admagazine.com\/arquitectura\/la-primera-obra-que-se-construyo-de-zaha-hadid-vitra-fire-station-20200307-6544-articulos\" target=\"_blank\" rel=\"nofollow noopener\">ADmagazine<\/a>. <\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;5.1.1 &#8211; Estaci\u00f3n de Bomberos Vitra (1990-1993)&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"Vitra_Fire_Station_1990%E2%80%931993\"><\/span>Vitra Fire Station (1990\u20131993)<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p>After the fire in one of its halls in <strong>1981<\/strong>, <strong>Vitra<\/strong> decided to establish its own <strong>Fire Station<\/strong>. The competition was won by the project by <strong>Zaha Hadid Arquitectos<\/strong>. Together with his inseparable partner, <a title=\"Patrik Shumacher\" href=\"https:\/\/www.zaha-hadid.com\/people\/patrik-schumacher\/\" target=\"_blank\" rel=\"nofollow noopener\">Patrik Shumacher<\/a>, he drew up a <strong>set of asymmetrical plans<\/strong> delimiting spaces for <strong>a changing room<\/strong>, <strong>meeting room<\/strong> and <strong>vehicle station<\/strong>.  <\/p>\n<p>An <strong>exercise in movement<\/strong> that became the <strong>first project<\/strong> finally built by <strong>Hadid<\/strong>. After a decade of <strong>sketches<\/strong>, <strong>models <\/strong>and <strong>impeccable presentations<\/strong>, his first work was completed. <\/p>\n<p>On this first occasion, <strong>he dispensed with frames for the windows<\/strong> and any ornament or filigree. He carried out the entire project in <strong>exposed concrete<\/strong>, leaving solid spaces, suggestive of the tension that a building of these characteristics causes. A small nod to the iconic firefighters&#8217; <strong>sliding bar<\/strong> are the <strong>11 cylindrical tubes<\/strong> that act as pillars of the large concrete visor.  <\/p>\n<p>Over time, <strong>Vitra<\/strong> dispensed with the firefighting service, dedicating the construction to <strong>a new room in the Vitra Museum<\/strong>.<\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2025\/01\/plataforma-de-saltos-de-ski-bergisel-1024x682px.jpg&#8221; alt=&#8221;Ski Jumping Platform in Bergisel, image with the background of the snow-capped mountains of Insbruck.&#8221; title_text=&#8221;plataforma-de-saltos-de-ski-bergisel-1024x682px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Plataforma de Saltos de Ski de Bergisel&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><strong>Bergisel<\/strong> <strong>Ski Jumping Platform<\/strong>. Seen in <a href=\"https:\/\/www.innsbruck.info\/es\/visita-turistica\/plataformas-miradores\/detail\/infrastruktur\/bergisel-ski-jump-stadium-innsbruck.html\" target=\"_blank\" rel=\"noopener nofollow\" title=\"Insbruck.info\">Insbruck.info<\/a>. <\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;5.1.2 &#8211; Plataforma de Saltos de Ski de Bergisel (1999-2002)&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"Bergisel_Ski_Jumping_Platform_1999-2002\"><\/span>Bergisel Ski Jumping Platform (1999-2002)<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p>As a renovation of the Olympic facilities, in <strong>1999<\/strong>, <strong>Zaha Hadid&#8217;s<\/strong> team of architects won the competition to build a new <strong>Ski Jumping Platform<\/strong> on <strong>Mount Bergisel <\/strong>in<strong> Innsbruck, Austria.<\/strong><\/p>\n<p>On a <strong>concrete prism<\/strong> within which 2 elevators maneuver (public and jumpers), <strong>the jump ramp<\/strong> , made of a stylized <strong>metal structure<\/strong>, winds to the <strong>upper viewpoint-restaurant<\/strong>. This viewpoint has <strong>spectacular 360\u00ba views over<\/strong> the city of <strong>Innsbruck<\/strong>. The <strong>viewpoint<\/strong> and the <strong>ramp<\/strong> are joined by an <strong>exterior metal cladding<\/strong> that, together with the <strong>glass<\/strong>, gives them a remarkable uniformity.  <\/p>\n<p>Like an <strong>extraordinary sculpture<\/strong> on the mountain, this platform ah become the <strong>symbol of the city<\/strong> and allows visitors and jumpers to share, to a certain extent, the same installation.<\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2025\/01\/museo-del-transporte-glasgow-riverside-1024x683px.jpg&#8221; alt=&#8221;Glasgow Riverside Transport Museum, image of the port entrance.&#8221; title_text=&#8221;museo-del-transporte-glasgow-riverside-1024x683px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Glasgow Riverside Museo del Transporte&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a title=\"Glasgow Riverside Transport Museum\" href=\"https:\/\/www.zaha-hadid.com\/architecture\/glasgow-riverside-museum-of-transport\/\" target=\"_blank\" rel=\"nofollow noopener\">Glasgow Riverside Transport Museum<\/a>. Image: <a title=\"Wikimedia Commons\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Glasgow_Riverside_Museum_%2811538004223%29.jpg\" target=\"_blank\" rel=\"nofollow noopener\">Wikimedia Commons<\/a>. <\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;5.1.3 &#8211; Glasgow Riverside Museo del Transporte (2004-2011) &#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"Glasgow_Riverside_Transport_Museum_2004-2011\"><\/span>Glasgow Riverside Transport Museum (2004-2011)<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p>With <strong>11,300 m2 built<\/strong> and <strong>7,000 m2 dedicated to exhibition<\/strong>, this museum with a <strong>zig-zag floor plan<\/strong> and <strong>open ends<\/strong>, proposes a dialogue between the urban area and the river.<\/p>\n<p>An <strong>eminently dynamic<\/strong> building thanks to a <strong>metal roof<\/strong> (zinc-titanium) that absorbs all structural forces thanks to its <strong>folds<\/strong> and <strong>different orientations<\/strong>, avoiding central supports. An exercise in <strong>simple architecture<\/strong> and <strong>advanced engineering<\/strong>. <\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2025\/01\/heydar-aliyev-center-baku-1200x666px.jpg&#8221; alt=&#8221;Heydar Aliyev Center. Image of the impressive Art and Culture Center in Baku, Azerbaijan. &#8221; title_text=&#8221;heydar-aliyev-center-baku-1200x666px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Heydar Aliyev Center&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a title=\"Heydar Aliyev Center\" href=\"https:\/\/www.zaha-hadid.com\/architecture\/heydar-aliyev-centre\/\" target=\"_blank\" rel=\"nofollow noopener\">Heydar Aliyev Center<\/a>, <strong>Baku<\/strong>, <strong>Azerbaijan<\/strong>. Image: <a title=\"GoodFon.com\" href=\"https:\/\/www.goodfon.com\/city\/wallpaper-baku-azerbaijan-concert-hall-architecture-modern-square-ligh.html\" target=\"_blank\" rel=\"nofollow noopener\">GoodFon.com<\/a>. <\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;5.1.4 &#8211; Heydar Aliyev Center (2004-2012)&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"Heydar_Aliyev_Center_2004-2012\"><\/span>Heydar Aliyev Center (2004-2012)<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p>Built in <strong>Baku<\/strong>, on <strong>Heydar Aliyev<\/strong> Avenue (President of Azerbaijan), this center is surely the most emblematic work of <strong>Zaha Hadid&#8217;s<\/strong> architecture. In <strong>2014<\/strong> it was considered the best building in the world, winning the <strong>Design of the Year Award.<\/strong> <\/p>\n<p>This building, on an area of <strong>101,810 m2<\/strong> , has <strong>a constructed area of 57,519 m2<\/strong> and organizes a series of volumes dedicated to <strong>culture<\/strong>, <strong>art<\/strong> and <strong>dissemination<\/strong>.<\/p>\n<p>The main building contains the <strong>Heydar Aliyev Museum<\/strong>, <strong>exhibition halls<\/strong> and <strong>Auditorium<\/strong>. It contains <strong>9 floors<\/strong> that house <strong>showrooms<\/strong>, <strong>administrative offices<\/strong> and <strong>a restaurant<\/strong>. <\/p>\n<p>Eminently <strong>curvy<\/strong>, it is <strong>Hadid&#8217;s<\/strong> best <strong>exercise in dynamism<\/strong>, presenting a truly amazing <strong>continuity of lines<\/strong>. It combines all the volumes smoothly and integrates the entire <strong>building, in white<\/strong>, into the horizon, providing <strong>very different views<\/strong>, all with unique beauty. As on other occasions, his idea of <strong>providing light only on 2 sides<\/strong> stands out, being, this time a genius, the <strong>opening of &#8220;gills&#8221;<\/strong> to the building to provide it with as much natural light as possible. In short: <strong>a masterpiece<\/strong>.   <\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2025\/01\/corona-messner-mountain-museum-1160x653px.jpg&#8221; alt=&#8221;Corona Messner, Mountain Museum. Image from the Museum of the Great Mountaineer made on the top of a mountain. &#8221; title_text=&#8221;corona-messner-mountain-museum-1160x653px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Corona Messner, museo de monta\u00f1a&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a title=\"Corona Messner, mountain museum\" href=\"https:\/\/www.zaha-hadid.com\/architecture\/messner-mountain-museum-corones\/\" target=\"_blank\" rel=\"nofollow noopener\">Corona Messner, mountain museum<\/a>. Image: <a title=\"CNN en Espa\u00f1ol\" href=\"https:\/\/www.google.com\/search?sca_esv=3c3691269d4a8505&amp;rlz=1C1CHBD_esES999ES999&amp;q=Corona+Messner+museum&amp;udm=2&amp;fbs=AEQNm0CbCVgAZ5mWEJDg6aoPVcBgWizR0-0aFOH11Sb5tlNhdwTBRAFlvB_IDmZx89cGs2seX6PiZB2kyHkbjrZzaWjXj8MS06UxzeNfYNv5TQXVE1e_-3VrutZFNtRZN1ieY1uFX1WEKVZtQxtR9ZYV00msIdR9QruiqE3tiwkSkIvyT5BLPgTCDPyHypsuvIYAbSrWzlm-&amp;sa=X&amp;ved=2ahUKEwj_tvSh2f-KAxXWRfEDHcidHcYQtKgLegQIERAB&amp;biw=1366&amp;bih=607&amp;dpr=1#vhid=lvNRTznRuR9GcM&amp;vssid=mosaic\" target=\"_blank\" rel=\"nofollow noopener\">CNN en Espa\u00f1ol<\/a>. <\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;5.1.5 &#8211; Corona Messner, museo de monta\u00f1a (2004-2012)&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"Corona_Messner_mountain_museum_2004-2012\"><\/span>Corona Messner, mountain museum (2004-2012)<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><strong>Reinhold Andreas Messner<\/strong>, born in <strong>1944<\/strong> in <strong>Bressanone<\/strong> (South Tyrol, Italy), is the first climber to complete <strong>the 14 summits<\/strong> of <strong>more than 8,000 m.<\/strong> on our planet. On the <strong>Kronplatz mountain (2,275 m.),<\/strong> famous among <strong>skiers<\/strong>, <strong>hikers and used<\/strong> as a launching pad for <strong>Delta Wing<\/strong> and <strong>Paragliding, Reinhold Messner <\/strong>decided to locate his<strong> Corona Messner museum.<\/strong> <\/p>\n<p>Dedicated to <strong>mountaineering<\/strong>, it <strong>captures the history of the mountain<\/strong> and offers unique views of the <strong>Dolomites<\/strong> and the <strong>Alps<\/strong>. Its <strong>1,000 m2 built<\/strong> are a <strong>sincere tribute<\/strong> to all mountaineers and its design evokes the moment of conquering the most incredible peaks. <\/p>\n<p>Designed by <strong>Zaha Hadid <\/strong>and following <strong>Messner&#8217;s adventurous spirit<\/strong>, it comprises <strong>six installations<\/strong> and unfolds within the summit itself, presenting <strong>3 spectacular windows<\/strong>. All made of concrete, it has the typical <strong>ZHA<\/strong> <strong>exploded view<\/strong> with <strong>delicately sloping shapes<\/strong>. The <strong>sobriety<\/strong> of the project makes it spectacular with the content that <strong>Messner<\/strong> has endowed to the museum.  <\/p>\n<p>According to <strong>Reinhold Messner<\/strong>:-  <em>&#8220;I wanted to present the <strong>development of modern mountaineering<\/strong> and <strong>250 years of progress<\/strong> in its equipment.&#8221; &#8220;<span class=\"HwtZe\" lang=\"es\"><span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">I speak of <strong>triumphs and tragedies<\/strong> on the most famous peaks in the world \u2013 the <strong>Matterhorn<\/strong>, <strong>Cerro Torre<\/strong>, <strong>K2<\/strong> \u2013 and the representation of our activity, however contradictory it may seem.&#8221; &#8220;<strong>The focus is not on sport and records<\/strong>, but <strong>on people<\/strong>, on the key contributors to mountaineering, including <strong>philosophers<\/strong> and <strong>pioneers<\/strong> who had the courage to take the <strong>&#8216;golden step&#8217;<\/strong> from idea to action, without regard to the question <strong>&#8216;Why?<\/strong>&#8216;&#8221;<\/span><\/span><\/span><\/em><\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2025\/01\/edificio-autoridad-portuaria-puerto-de-amberes-1200x800px.jpg&#8221; alt=&#8221;Port Authority Building, Port of Antwerp, Belgium. Project: Zaha Hadid Architects. &#8221; title_text=&#8221;port-authority-building-port-of-antwerp-1200x800px&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Edificio Autoridad Portuaria de Amberes&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a title=\"Port Authority Building\" href=\"https:\/\/www.zaha-hadid.com\/architecture\/port-house\/\" target=\"_blank\" rel=\"nofollow noopener\" data-schema-attribute=\"mentions\">Port Authority Building<\/a>, <strong>Port of Antwerp, Belgium<\/strong>. Image: <a title=\"Pxhere.com\" href=\"https:\/\/pxhere.com\/es\/photo\/411495\" target=\"_blank\" rel=\"nofollow noopener\">Pxhere.com<\/a> .<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;5.1.6 &#8211; Edificio Autoridad Portuaria de Amberes (2009-2016)&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"Antwerp_Port_Authority_Building_2009-2016\"><\/span>Antwerp Port Authority Building (2009-2016)<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p>On top of a <strong>listed building<\/strong>, the new office building of the <strong>Port Authority of Antwerp rises<\/strong>. <strong>ZHA (Zaha Hadid Architects) <\/strong>won the architectural competition with a <strong>spectacular project<\/strong>, extending the building vertically for its <strong>500 employees<\/strong>. 20,800 m2<strong>built,<\/strong> of which <strong>12,800 m2 above ground<\/strong>, <strong>6,600 m2 in the existing building<\/strong> and <strong>6,200 m2 in the new building<\/strong>. The other <strong>8,000 m2 are below ground<\/strong>.  <\/p>\n<p>The design is shaped like <strong>a sailboat&#8217;s hull<\/strong>, with an irregular glass fa\u00e7ade of <strong>triangular<\/strong>, <strong>transparent and opaque<\/strong> elements, forming different angles and planes from each other, obtaining <strong>brilliant reflections<\/strong> of the sky and water. The building shines in such a way that it looks like <strong>a diamond<\/strong>, a symbol of the main economic activity of the city. <\/p>\n<p>The existing building, the former <strong>Fire Station<\/strong>, was faithfully rebuilt to the old one, leaving its <strong>central courtyard as an atrium with a glass roof<\/strong>. A <strong>sculptural keel-shaped pillar<\/strong> is responsible for supporting the weight of the new glazed floors along with pillars and platforms of the old building. <\/p>\n<p>A <strong>clear concept<\/strong> with an undoubted mastery of engineering and a <strong>simply spectacular result<\/strong>. Within the reach of very few. <\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2025\/01\/residencia-capital-hill-moscu-zha-1200x800px-1.jpg&#8221; alt=&#8221;Capital Hill Residence, Moscow. Image of Zaha Hadid&#8217;s extraordinary construction. &#8221; title_text=&#8221;residencia-capital-hill-moscu-zha-1200x800px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Capital Hill, residencia&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a title=\"Capital Hill\" href=\"https:\/\/www.zaha-hadid.com\/interior_design\/capital-hill-residence\/\" target=\"_blank\" rel=\"nofollow noopener\">Capital Hill<\/a> Residence, <strong>Moscow<\/strong>. Image: <a title=\"Arquine.com\" href=\"https:\/\/arquine.com\/obra\/residencia-capital-hill\/\" target=\"_blank\" rel=\"nofollow noopener\">Arquine.com<\/a>. <\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;5.1.7 &#8211; Capital Hill, residencia (2006-2018)&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"Capital_Hill_Residence_Moscow_2006-2018\"><\/span>Capital Hill Residence, Moscow (2006-2018)<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p>On a hillside <strong>in the Barvikha Forest (Moscow<\/strong>), this residence expresses, with exquisite fidelity, the style and architecture of <strong>Zaha Hadid<\/strong>. Divided into two large blocks, <strong>the first merges with the forest<\/strong>, while the second, 22 m. above the ground,<strong> seems to float<\/strong> and provides <strong>spectacular views over the trees<\/strong>.  <\/p>\n<p>This design, influenced by the <strong>orography of the hillside<\/strong>, is full of <strong>fluid geometries<\/strong> that are partially embedded in the hillside. The <strong>four levels<\/strong> of the project provide its inhabitants with all the comforts, including <strong>an indoor pool<\/strong>. It stands out above all areas, the master bedroom, at the top of the residence with <strong>incredible views<\/strong>.  <\/p>\n<p>Made of <strong>concrete<\/strong>, with <strong>aluminium panels<\/strong> as cladding, it contains a good glass surface to allow abundant light to enter. Its <strong>2,650 m2 built<\/strong> seem <strong>pure fantasy within an impossible architecture<\/strong>. <\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2025\/01\/beijing-daxing-aeropuerto-internacional-996x664px.jpg&#8221; alt=&#8221;Beijing Daxing International Airport, the largest in the world.&#8221; title_text=&#8221;beijing-daxing-aeropuerto-internacional-996x664px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Aeropuerto Internacional Beijing Daxing&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><strong>Beijing Daxing International Airport<\/strong>, overhead view. Image: <a title=\"AllPlan.com\" href=\"https:\/\/www.allplan.com\/blog\/beijing-daxing-airport\/\" target=\"_blank\" rel=\"nofollow noopener\">AllPlan.com<\/a>. <\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;5.1.8 &#8211; Aeropuerto Internacional Beijing Daxing (2014-2019)&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"Beijing_Daxing_International_Airport_2014-2019\"><\/span>Beijing Daxing, International Airport (2014-2019)<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><strong>46 km<\/strong> from the capital of <strong>China<\/strong>, <strong>Beijing Daxing<\/strong> is today the largest international airport in <strong>the world<\/strong>. It was developed to alleviate congestion at the existing airport and was integrated with the rest of the transport infrastructure, greatly relieving the transport network. <\/p>\n<p>In <strong>2025<\/strong> it is expected to serve <strong>72 million passengers<\/strong> and is expected to expand to <strong>100 million<\/strong>. We are talking about <strong>700,000 m2<\/strong> <strong>of terminal<\/strong> that includes an <strong>80,000 m2 transport center<\/strong> with direct connection to <strong>Beijing<\/strong>, high-speed trains, local trains and other airport services. The incredible construction timeframe was <strong>5 years.<\/strong>  <\/p>\n<p>Inspired by <strong>traditional Chinese architecture<\/strong>, it organizes the spaces from a <strong>central core<\/strong>. A starry shape with <strong>6 vaulted ceiling arms<\/strong> that reaches to the ground and carries <strong>natural light<\/strong>, directs passengers to or from the central core. Another contribution of natural light is obtained through the <strong>line of skylights<\/strong> that follow each axis of the arms, providing, in turn, an <strong>intuitive system<\/strong> of ambulation of the terminal.  <\/p>\n<p>5 radial <strong>docks<\/strong> accommodate a large number of aircraft with <strong>79 boarding gates<\/strong>, making the <strong>boarding and disembarking<\/strong> process very comfortable and structured. A photovoltaic power plant supplies the terminal with <strong>10 MW of power.<\/strong> <\/p>\n<p>The design of <strong>ZHA<\/strong>, for once, establishes an eloquent <strong>longitudinal symmetry<\/strong> , yes, full of <strong>curves and delicate vaults<\/strong> for such a large space. The <strong>conceptual simplicity<\/strong> and the exquisite treatment of materials towards the passenger have achieved <strong>the highest praise<\/strong> for this project. <\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2025\/01\/opus-dubai-zha-copyrigth-laurean-ghinitoiu-1200x800px.jpg&#8221; alt=&#8221;Opus Building. Image of the spectacular glazed cube developed by Zaha Hadid Architects in Dubai. &#8221; title_text=&#8221;opus-dubai-zha-copyrigth-laurean-ghinitoiu-1200x800px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Edificio Opus, Dubai &#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a title=\"Opus Building\" href=\"https:\/\/www.zaha-hadid.com\/architecture\/opus\/\" target=\"_blank\" rel=\"nofollow noopener\">Opus Building<\/a>, Dubai. Image: <a title=\"Laurean Ghinitoiu\" href=\"https:\/\/www.archdaily.com\/photographer\/laurian-ghinitoiu\" target=\"_blank\" rel=\"nofollow noopener\">Laurean Ghinitoiu<\/a> . <\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;5.1.9 &#8211; Edificio Opus, Dubai (2012-2020)&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"Opus_Building_Dubai_2012-2020\"><\/span>Opus Building, Dubai (2012-2020)<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p>This exercise in architecture <strong>ratifies Zaha Hadid&#8217;s style<\/strong>. A <strong>slender glazed cube<\/strong> of <strong>large dimensions<\/strong> that seeks <strong>natural light<\/strong> for the interior of the building through a <strong>curvilinear casting<\/strong> that is a trademark of the house. <\/p>\n<p>Conceived as a <strong>hotel<\/strong>, we are facing <strong>84,000 m2 built<\/strong> on <strong>20 floors above ground<\/strong> and <strong>7 basements<\/strong>, with visible dimensions of 100 x 67 x 93 m. (length x width x height). <\/p>\n<p>The project strikes the <strong>balance<\/strong> between <strong>solid and empty<\/strong>, <strong>opaque and transparent<\/strong>, <strong>interior and exterior<\/strong>, and turns this <strong>gigantic cube<\/strong> into a light, <strong>gently moving volume. <\/strong>The project completes a brilliant performance in the <strong>interior design of the hotel,<\/strong> showing continuous signs of <strong>Zaha Hadid&#8217;s<\/strong> architecture and design.<\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2025\/01\/one-thousand-museum-miami-1024x768px-scaled.jpg&#8221; alt=&#8221;One Thousand Museum. Skyscraper made by Zaha Hadid Architects in Miami. &#8221; title_text=&#8221;one-thousand-museum-miami-1024x768px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen One Thousand Museum&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a title=\"One Thousand Museum\" href=\"https:\/\/www.zaha-hadid.com\/design\/1000-museum\/\" target=\"_blank\" rel=\"nofollow noopener\">One Thousand Museum<\/a>, <strong>Miami<\/strong>. Image: <a title=\"Rob Olivera\" href=\"https:\/\/www.flickr.com\/photos\/190269253@N07\/\" target=\"_blank\" rel=\"nofollow noopener\">Rob Olivera<\/a> on <strong>Flickr<\/strong>. <\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;5.1.10 &#8211; One Thousand Museum (2012-2020)&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"One_Thousand_Museum_Miami_2012-2020\"><\/span>One Thousand Museum, Miami (2012-2020)<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p>This <strong>residential skyscraper<\/strong> designed by <strong>Zaha Hadid<\/strong> has some singularities that I would like to highlight. For its <strong>foundations<\/strong> , it was necessary to excavate the not inconsiderable depth of <strong>52 m<\/strong>. The idea was <strong>to achieve more diaphanous floors<\/strong>, eliminating pillars, for which he designed a <strong>curvilinear &#8220;exoskeleton&#8221;<\/strong> that would replace the outer pillars of the skyscraper. This exoskeleton consists<strong> of 5,000 pieces of fiberglass-reinforced concrete<\/strong>.   <\/p>\n<p>With <strong>84,637 m2 built <\/strong>and <strong>215 m. high  <\/strong>It has <strong>62 floors<\/strong> with a total of <strong>84 homes<\/strong>.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=&#8221;5.2 Dise\u00f1o Interior&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2025\/01\/nexxa-manilla-zha-ize-980x658px.jpg&#8221; alt=&#8221;Nexxa handle. Door handle design by Zaha Hadid with her iconic flowing curves. &#8221; title_text=&#8221;nexxa-manilla-zha-ize-980x658px.jpg&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><strong>Nexxa<\/strong> handle, designed by <strong>Zaha Hadid<\/strong> for <strong>Iz\u00e9<\/strong>. Image: <a title=\"I hoisted\" href=\"https:\/\/www.ize.info\/featured\/zaha-nexxa\" target=\"_blank\" rel=\"nofollow noopener\">Iz\u00e9<\/a>. <\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;5.2 &#8211; Dise\u00f1o&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Design\"><\/span>Design<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><strong>Zaha Hadid&#8217;s<\/strong> projects are a compendium of <strong>mathematical algorithms<\/strong>, <strong>curvilinear geometry<\/strong> and <strong>spatial fluidity<\/strong>. Together with its <strong>treatment of light<\/strong>, all this combination of <strong>arts<\/strong> and <strong>techniques<\/strong> are a <strong>perfect recipe<\/strong> for design. <\/p>\n<p>The balance in <strong>form and function<\/strong> that every good design must have is complicated, even more so if we take into account that <strong>form<\/strong>, for <strong>Hadid<\/strong>, is a <strong>primordial element<\/strong>. Knowing how <strong>to provide forms<\/strong> with lighting accesses, the <strong>creation of spaces<\/strong> and the <strong>versatility of installations<\/strong> is an innate quality in <strong>Zaha Hadid<\/strong>. Only she is capable of <strong>combining curves with planes<\/strong> and <strong>volumes with uses<\/strong>. This skill has allowed him <strong>to delve into any design discipline<\/strong>, whether <strong>interior design<\/strong> or <strong>product design<\/strong>.   <\/p>\n<p>In any case, <strong>Zaha Hadid<\/strong> emerges victorious from <strong>any challenge<\/strong>. Let&#8217;s look at some examples. <\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2025\/01\/aria-lampara-zha-slamp-850x600px.jpg&#8221; alt=&#8221;Aria, lamp designed by Zaha Hadid for Slamp. Made with different planes forming a spectacular shape. Black.  &#8221; title_text=&#8221;aria-l\u00e1mpara-zha-slamp-850x600px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen L\u00e1mpara Aria&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><strong>Aria lamp<\/strong>, size <strong>L<\/strong>, black color. Image: <a title=\"Slamp\" href=\"https:\/\/www.slamp.com\/es\/products\/aria\" target=\"_blank\" rel=\"nofollow noopener\">Slamp<\/a>. <\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;5.2.1 &#8211; L\u00e1mpara Aria (2013)&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"Aria_Lamp_Slamp_2013\"><\/span>Aria Lamp, Slamp (2013)<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><strong>Zaha Hadid&#8217;s<\/strong> treatment of light is as revolutionary as her own architecture. To make this design he used <strong>a series of plans <\/strong>(50, all different), made of <strong>Cristalflex\u00ae<\/strong> or <strong>Lentiflex\u00ae<\/strong> (mixtures of polycarbonates and acrylates) with which he achieves <strong>a volume with his seal<\/strong>. The projection of the light beams on all these planes produces a <strong>filtered light<\/strong>, giving the entire volume a spectacular <strong>depth<\/strong> and <strong>shading<\/strong>.  <\/p>\n<p>The original version of this lamp had <strong>shaded black edges,<\/strong> and today it is also available in <strong>Gold<\/strong> and <strong>Transparent<\/strong>. The lamp is available in its <strong>pendant version<\/strong> in the formats <strong>S, M, L and XL.<\/strong> There is also <strong>a version as a wall lamp<\/strong> and a <strong>format for large rooms<\/strong> called <strong>Aria Infinita<\/strong>, available in 3 sizes. A <strong>new, more stylized version<\/strong>, even with <strong>limited editions<\/strong>, called <strong>Avia<\/strong>, is also available in the colors<strong> Blue<\/strong> and <strong>Turquoise<\/strong>.   <\/p>\n<p>This entire series of lamps has <strong>LED lighting<\/strong> and <strong>dimmer switch<\/strong>. Cable lengths can be <strong>up to 15 m.<\/strong> <\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2025\/01\/bow-silla-zha-nagami-1200x800px.jpg&#8221; alt=&#8221;Bow, chair made by 3D digital printing in black and pink colors. Design by Zaha Hadid for Nagami. &#8221; title_text=&#8221;bow-silla-zha-nagami-1200x800px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Silla Bow&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a title=\"Bow\" href=\"https:\/\/www.zaha-hadid.com\/design\/bow-chair\/\" target=\"_blank\" rel=\"nofollow noopener\">Bow<\/a> chair, made by <strong>3D printing<\/strong> by <a title=\"Nagami\" href=\"https:\/\/nagami.design\/es\/product\/bow\/\" target=\"_blank\" rel=\"nofollow noopener\">Nagami<\/a>.<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;5.2.2 &#8211; Silla Bow (2018)&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"Bow_Chair_2018\"><\/span>Bow Chair (2018)<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p>If there is one thing that has characterized all of <strong>Zaha Hadid&#8217;s<\/strong> work, it is her constant experimentation with <strong>new materials<\/strong> and <strong>construction processes<\/strong>. On this occasion, in collaboration with the Spanish firm <strong>Nagami <\/strong>(experts in 3D digital printing), it has made the <strong>Bow<\/strong> chair. <\/p>\n<p>Inspired by the structures provided by <strong>nature itself<\/strong> and using <strong>the most advanced manufacturing systems<\/strong>, this chair has been printed with a pellet extruder that uses <strong>raw plastic particles<\/strong> instead of a filament. The choice of material <strong>(PLA)<\/strong> has been made for its <strong>zero toxicity<\/strong> and its <strong>biodegradable nature<\/strong> (obtained from renewable sources such as corn starch). <\/p>\n<p>The design features <strong>the curvilinear fluidity of ZHA<\/strong> and conceptually, it is <strong>inspired by the plant world<\/strong>. To highlight the <strong>tiny base<\/strong> that, surprisingly, is totally <strong>stable.<\/strong> The selected colors are <strong>black<\/strong>, <strong>pink<\/strong> and <strong>translucent<\/strong>. The <strong>dimensions<\/strong> are 80 x 78 x 112 cm. and the <strong>weight<\/strong>, 22 kg.   <\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2025\/01\/branch-zha-natura-1024x628px.jpg&#8221; alt=&#8221;Branch, console designed by Zaha Hadid for the firm Natura. Made of white Carrara marble. &#8221; title_text=&#8221;branch-zha-natura-1024x628px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Consola Branch&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a title=\"Branch\" href=\"https:\/\/www.zaha-hadid.com\/design\/erosion-collection-for-neutra\/\" target=\"_blank\" rel=\"nofollow noopener\">Console Branch<\/a>, belonging to <strong>Erosion Collection<\/strong>, produced by <a title=\"Neutral\" href=\"https:\/\/www.neutradesign.it\/en\/branch\/\" target=\"_blank\" rel=\"nofollow noopener\">Neutra<\/a>.<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;5.2.3 &#8211; Consola Branch (2024)&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"Branch_Console_2024\"><\/span>Branch Console (2024)<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p>As a result of the <strong>constant erosion<\/strong> produced by the course of water on the rocks, nature gives us <strong>soft and delicate shapes<\/strong>. If there is one thing that has characterized all of <strong>Zaha Hadid&#8217;s<\/strong> work, it is her constant experimentation with <strong>new materials<\/strong> and <strong>construction processes<\/strong>. On this occasion, in collaboration with the Spanish firm <strong>Nagami <\/strong>(experts in 3D digital printing), it has made the <strong>Bow<\/strong> chair.  <\/p>\n<p>Inspired by the structures provided by <strong>nature itself<\/strong> and using <strong>the most advanced manufacturing systems<\/strong>, this chair has been printed with a pellet extruder that uses <strong>raw plastic particles<\/strong> instead of a filament. The choice of material <strong>(PLA)<\/strong> has been made for its <strong>zero toxicity<\/strong> and its <strong>biodegradable nature<\/strong> (obtained from renewable sources such as corn starch). <\/p>\n<p>The design features <strong>the curvilinear fluidity of ZHA<\/strong> and conceptually, it is <strong>inspired by the plant world<\/strong>. To highlight the <strong>tiny base<\/strong> that, surprisingly, is totally <strong>stable.<\/strong> The selected colors are <strong>black<\/strong>, <strong>pink<\/strong> and <strong>translucent<\/strong>. The <strong>dimensions<\/strong> are 80 x 78 x 112 cm. and the <strong>weight<\/strong>, 22 kg.   <\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2025\/01\/crevasse-florero-zha-alessi-1080x675px.jpg&#8221; alt=&#8221;Crevase, image. Stylized vases designed by Zaha Hadid for Alessi. Finished in mirror stainless steel.  &#8221; title_text=&#8221;crevasse-florero-zha-alessi-1080x675px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Florero Crevasse&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a title=\"Crevasse\" href=\"https:\/\/www.zaha-hadid.com\/design\/crevasse-vase\/\" target=\"_blank\" rel=\"nofollow noopener\">Crevasse<\/a> vase, design made of stainless steel for <a title=\"Alessi\" href=\"https:\/\/alessi.com\/es\/products\/crevasse-flower-vase?variant=33932278235272&amp;_pos=1&amp;_psq=Crevasse&amp;_ss=e&amp;_v=1.0\" target=\"_blank\" rel=\"nofollow noopener\">Alessi<\/a>.<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;5.2.4 &#8211; Florero Crevasse (2005-2011)&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"Crevasse_Vase_2005-2011\"><\/span>Crevasse Vase (2005-2011)<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p>For the design of this <strong>unique vase<\/strong>, <strong>Zaha Hadid<\/strong> started from a <strong>solid rectangular prism <\/strong>that she divided diagonally into 2 slightly twisted <strong>identical volumes<\/strong> . Together, the two vases immediately suggest the rectangular prism from which they come. Separated, they offer an <strong>unsettling<\/strong> yet stable balance.  <\/p>\n<p>Made for the <strong>firm Alessi<\/strong> in <strong>stainless steel<\/strong> they can be finished in <strong>silver<\/strong>, <strong>gold<\/strong>, <strong>bronze,<\/strong> <strong>cannon bronze <\/strong>and <strong>silver mirror<\/strong>. <strong>Dimensions<\/strong>: 8 x 6 x 42 cms. (width x length x height). <\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2025\/01\/escalera-flotante-zha-1200x800px.jpg&#8221; alt=&#8221;Floating ladder. Interesting design exercise by Zaha Hadid made with identical U-shaped metal modules forming a floating staircase in white. &#8221; title_text=&#8221;escalera-flotante-zha-1200x800px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Escalera flotante&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a title=\"Floating staircase\" href=\"https:\/\/www.zaha-hadid.com\/design\/floating-staircase\/\" target=\"_blank\" rel=\"nofollow noopener\">Floating staircase<\/a>, design made for the <strong>firm TBC<\/strong> in <strong>London<\/strong>. <\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;5.2.5 &#8211; Escalera flotante (2012)&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"Floating_staircase_2012\"><\/span>Floating staircase (2012)<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p>This brilliant <strong>exercise in lightness<\/strong> was carried out by <strong>Zaha Hadid<\/strong> with the use of <strong>the Ductal\u00ae <\/strong>material (extremely resistant and light concrete produced by the <strong>Holcim<\/strong> group). The design is very simple and derives from the construction of a <strong>single U-shaped module<\/strong> with the aforementioned material and repeated as many times as the steps of the staircase have. The result is <strong>very aesthetic<\/strong>, <strong>light<\/strong> and <strong>avant-garde<\/strong>.  <\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2025\/01\/hotel-puerta-de-america-zha-900x600px.jpg&#8221; alt=&#8221;Hotel Puerta de Am\u00e9rica, Madrid. Image of the room designed by Zaha Hadid with Hi-Macs material in white. &#8221; title_text=&#8221;hotel-puerta-de-america-zha-900x600px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Habitaci\u00f3n Hotel Puerta de Am\u00e9rica, Madrid &#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\">Room on floor 1 of <strong>Hotel Puerta de Am\u00e9rica<\/strong>, <strong>Madrid<\/strong>. Image: <a title=\"FotoMadrid.com\" href=\"https:\/\/www.fotomadrid.com\/verArticulo\/86\" target=\"_blank\" rel=\"nofollow noopener\">FotoMadrid.com<\/a>. <\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;5.2.6 &#8211; Habitaci\u00f3n Hotel Puerta de Am\u00e9rica, Madrid (2005)&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"Hotel_Puerta_de_America_Madrid_2005\"><\/span>Hotel Puerta de Am\u00e9rica, Madrid (2005)<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p>The <strong>Silken<\/strong> hotel chain designed the <strong>Hotel Puerta de Am\u00e9rica<\/strong> with the participation of prestigious international architecture teams. Architects such as <strong>Norman Foster<\/strong>, <strong>Jean Nouvel<\/strong>, <strong>David Chipperfield<\/strong>, <strong>Ron Arad<\/strong>, <strong>Arata Isozaki<\/strong>, among others, participated in this project. Our protagonist, <strong>Zaha Hadid<\/strong>, was in charge of signing the <strong>first floor<\/strong> of this unique hotel.  <\/p>\n<p><strong>Hadid&#8217;s<\/strong> performance in this project is marked by <strong>innovation<\/strong>. His idea was to provide <strong>a white skin<\/strong> to the entire room, <strong>floors<\/strong>, <strong>ceilings<\/strong>, <strong>walls<\/strong> and <strong>furniture elements<\/strong> as well as the <strong>bathroom<\/strong>. <strong>Soft curves<\/strong>, <strong>reliefs<\/strong>, <strong>shelves<\/strong>, <strong>benches<\/strong> and <strong>other effects<\/strong> were created with a new surface material: <strong>Hi-Macs\u00ae.<\/strong> <\/p>\n<p><strong>Hi-Macs\u00ae<\/strong>, composed of <strong>acrylic resins and natural pigments<\/strong> , provided, with <strong>Hadid&#8217;s pen<\/strong>, a <strong>slender<\/strong>, <strong>dynamic<\/strong>, simply <strong>unique<\/strong> room. All <strong>visible jointless<\/strong> surfaces, pristine <strong>white<\/strong>, <strong>curved,<\/strong> <strong>smooth<\/strong> and <strong>flowing<\/strong>, are a <strong>delight for the guest<\/strong> and <strong>easy to maintain<\/strong> for the host. <\/p>\n<p>Once again, <strong>Zaha Hadid<\/strong> takes on the challenge and wins.<\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2025\/01\/moon-sofa-zha-bybitalia-1050x700px.jpg&#8221; alt=&#8221;Moon, sofa designed by Zaha Hadid for B&#038;B Italia. The model presented in chocolate-colored leather. &#8221; title_text=&#8221;moon-sofa-zha-bybitalia-1050x700px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Sof\u00e1 Moon&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a title=\"Moon\" href=\"https:\/\/www.zaha-hadid.com\/design\/moon-system\/\" target=\"_blank\" rel=\"nofollow noopener\">Moon Sofa<\/a>. Image: <a title=\"B&amp;B Italia\" href=\"https:\/\/www.bebitalia.com\/en-us\/en-moon-system-divani.html\" target=\"_blank\" rel=\"nofollow noopener\">B&amp;B Italia<\/a>. <\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;5.2.7 &#8211; Moon System (2007)&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"Moon_System_2007\"><\/span>Moon System (2007)<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">An <strong>unmistakable silhouette<\/strong>, <strong>flowing curves<\/strong> and a <strong>solid appearance<\/strong> are the characteristics that, once again, <strong>Zaha Hadid<\/strong> imprinted on this project in collaboration with <strong>B&amp;B Italia<\/strong>. Like a sculpture, this sofa has the <strong>characteristic dynamism<\/strong> of <strong>Hadid&#8217;s<\/strong> work, but enhanced by an appearance of <strong>firm solidity<\/strong> and corroborated by <strong>an astonishing comfort<\/strong>. The surprise comes semi-hidden, <strong>like a &#8220;pouf&#8221;<\/strong> that can be separated from the sofa and serve as <strong>an additional seat<\/strong>.  <\/span><\/span><\/p>\n<p>A variety of <strong>natural leathers<\/strong> and <strong>stretch fabrics provide the finishes<\/strong> of this sofa. An internal <strong>steel tube structure<\/strong> and <strong>a flexible cold-formed Bayfit\u00ae polyurethane foam <\/strong>are the basis of this spectacular sofa. <strong>Dimensions<\/strong>: 288 x 200 x 85 cms. (width x length x height).  <\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2025\/01\/stuart-weitzman-store-zha-1200x800px.jpg&#8221; alt=&#8221;Stuart Weitzman, showromm. Design by Zaha Hadid for the presentation of her collections of shoes and bags. &#8221; title_text=&#8221;stuart-weitzman-store-zha-1200x800px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Stuart Weitzman Store &#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a title=\"Stuart Weitzman Store\" href=\"https:\/\/www.zaha-hadid.com\/interior_design\/stuart-weitzman-flagship-store\/\" target=\"_blank\" rel=\"nofollow noopener\">Stuart Weitzman Store<\/a>, <strong>Milan<\/strong> showroom. Image: <strong>ZHA.<\/strong> <\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;5.2.8 &#8211;  Stuart Weitzman Store (2013-2014)&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"Stuart_Weitzman_Store_Milan_2013-2014\"><\/span>Stuart Weitzman Store, Milan (2013-2014)<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">The flagship of the <strong>firm Stuart Weitzman<\/strong> (manufacturer of shoes and bags) was designed by <strong>Zaha Hadid<\/strong> on an area of <strong>280 m2<\/strong>. A <strong>dialogue of geometries<\/strong>, <strong>folds<\/strong> and <strong>voids <\/strong>intended to carefully house each of the elements of <strong>Weitzman&#8217;s collections<\/strong>. <\/span><\/span><\/p>\n<p>Hadid <strong>creates the atmosphere<\/strong>, the set of reliefs, lines, curves and <strong>&#8220;giant shoes&#8221;<\/strong> are the excuse to contemplate the work of the creator. The shoe or bag takes center stage. Conveniently placed on the <strong>suggestive shelves<\/strong> that have been created expressly for them, the shoes and bags are <strong>meticulously checked<\/strong>. <strong>Elaborate overhead lighting<\/strong> and soft white and cream <strong>tones<\/strong> give this showroom a <strong>unique beauty<\/strong>.    <\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=&#8221;6 &#8211; Algunas frases de Zaha Hadid&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;6 &#8211; Algunas frases de Zaha Hadid&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Some_quotes_from_Zaha_Hadid\"><\/span>Some quotes from Zaha Hadid<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>Some of <strong>Zaha Hadid&#8217;s<\/strong> phrases have left their mark and, I am sure, <strong>will influence new generations of architects as a legacy<\/strong>. Here are some that I have recovered: <\/p>\n<ul>\n<li><em>&#8220;<strong>It&#8217;s very difficult to have ideas<\/strong>; when <strong>they arrive, they must be fought for<\/strong>.&#8221;<\/em><\/li>\n<li><em>&#8220;More than a style, my thing is to <strong>always try to be on the frontier of innovation<\/strong>&#8220;<\/em><\/li>\n<li><em>&#8220;I think that the <strong>no&#8217;s<\/strong> you receive make you more persevering. I could have thrown in the towel, <strong>but I didn&#8217;t because I knew there was a lot to dig up,<\/strong> to discover. I interpreted every <strong>no<\/strong> as a <strong>move forward<\/strong>, <strong>a challenge<\/strong>.&#8221;  <\/em><\/li>\n<li><em>&#8220;<strong>Architecture is like writing,<\/strong> you have to edit it over and over again to make it feel like there&#8217;s no effort.&#8221;<\/em><\/li>\n<li><em>&#8220;I really <strong>believe in the idea of the future.&#8221;<\/strong><\/em><\/li>\n<li><em>&#8220;As <strong>a woman in architecture, you&#8217;re always an intruder,<\/strong> but that&#8217;s okay \u2013 <strong>I like to be on the edge<\/strong>.&#8221;<\/em><\/li>\n<li><em>&#8220;There are <strong>360 degrees<\/strong>, <strong>why stay with just one?&#8221;<\/strong><\/em><\/li>\n<li><em>&#8220;A <strong>brilliant idea<\/strong> will always benefit from the input of others&#8221;<\/em><\/li>\n<li><em>&#8220;I used to not like to be called <strong>a woman architect<\/strong>. <strong>I am an architect, but not only an architect and a woman<\/strong>.&#8221;<\/em><\/li>\n<\/ul>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=&#8221;7 &#8211; Opini\u00f3n&#8221; _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2025\/01\/zaha-hadid-patrik-schumacher-568x800px.jpg&#8221; alt=&#8221;Zaha Hadid and Patrik Schumacher. In the background fa\u00e7ade of the Broad Art Museum, State of Michigan, USA. &#8221; title_text=&#8221;zaha-hadid-patrik-schumacher-568x800px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; align=&#8221;center&#8221; admin_label=&#8221;Imagen Zaha Hadid y Patrik Schumaker&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><strong>Zaha Hadid<\/strong> and <strong>Patrik Schumacher<\/strong>. Image: <a title=\"Flickr\" href=\"https:\/\/www.flickr.com\/photos\/arcticpenguin\/8242101296\" target=\"_blank\" rel=\"nofollow noopener\">Flickr<\/a>. <\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;7 &#8211; Opini\u00f3n&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Opinion\"><\/span>Opinion<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>After years of preparing models and presenting <strong>numerous daring proposals<\/strong>, <strong>Zaha Hadid<\/strong> was rewarded with the <strong>Vitra<\/strong> <strong>Fire Station<\/strong> project. The well-deserved award to a <strong>tireless fighter<\/strong> and a <strong>brilliant architect<\/strong>. <\/p>\n<p>In this article, I have excitedly been unraveling part of his work and trying to understand <strong>the reason for his architecture<\/strong>. Now, at the end of the work, I must confess that we should be guided only <strong>by our goal<\/strong><strong>.<\/strong> We can take <strong>alternative paths<\/strong>, <strong>with detours or shortcuts<\/strong>, <strong>with curves or straights<\/strong>, <strong>our goal must be our destination<\/strong>. <\/p>\n<p><strong>Zaha Hadid<\/strong> has led me to my goal. I have understood that <strong>innovating is a space where there is no comfort<\/strong>, <strong>but it comforts<\/strong>. I have taken <strong>difficult curves<\/strong>, I have studied <strong>new<\/strong>, <strong>fluid shapes<\/strong>. I have imagined <strong>new construction processes<\/strong>. I have understood that <strong>writing is learned by writing<\/strong> and <strong>I have learned to observe<\/strong>. I&#8217;ve seen a <strong>different light<\/strong> in <strong>different projects.<\/strong> I have been, for a few weeks, <strong>a guest of impossible architectures.<\/strong>     <\/p>\n<p>He left us in <strong>2016<\/strong>, but he also left us a <strong>spectacular work<\/strong> so that new generations can study his valuable architecture. Her <strong>&#8220;eternal partner&#8221;<\/strong> <a title=\"Patrick Schumacher\" href=\"https:\/\/www.zaha-hadid.com\/people\/patrik-schumacher\/\" target=\"_blank\" rel=\"nofollow noopener\">Patrick Schumacher<\/a> keeps the<strong> Zaha Hadid Architects<\/strong> <strong>(ZHA)<\/strong> pavilion very high, continuing <strong>Zaha Hadid&#8217;s<\/strong> work and style. <strong>It honors him<\/strong>. <\/p>\n<p><strong>I will always remember the work of this great architect<\/strong> and thanks to her, I will stop to contemplate <strong>the beauty of each curve<\/strong>.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=&#8221;4 &#8211; Cr\u00e9ditos&#8221; _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_divider _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text admin_label=&#8221;Comentarios&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; border_radii=&#8221;on|4px|4px|4px|4px&#8221; border_width_all=&#8221;2px&#8221; box_shadow_style=&#8221;preset2&#8243; box_shadow_color=&#8221;#12876F&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong>NOTE:<\/strong> If you liked this article, you can <strong>share it on social media<\/strong>. You can also <strong>rate it with stars<\/strong> below. If you wish to leave a <strong>comment<\/strong>, ask a <strong>question<\/strong> or make any <strong>suggestion<\/strong> you can do so in the <strong>comment box <\/strong>below. <strong>Thank you for your attention!<\/strong>  <\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;Informaci\u00f3n, bibliograf\u00eda y medios&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; border_radii=&#8221;on|3px|3px|3px|3px&#8221; border_width_all=&#8221;2px&#8221; box_shadow_style=&#8221;preset2&#8243; box_shadow_color=&#8221;rgba(131,32,188,0.3)&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Information_bibliography_and_media\"><\/span>Information, bibliography and media<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>We use our own and other means with the availability allowed by current legislation and free access to the <strong style=\"font-style: inherit;\">World Wide Web<\/strong>. (See <a href=\"https:\/\/encyclobjects.com\/en\/terms-and-conditions\/?v=04c19fa1e772\" data-wpel-link=\"internal\">Terms Conditions<\/a>)<\/p>\n<p><strong style=\"font-style: inherit;\">Texts: <\/strong>Own, based on information from <a title=\"Carreras.com Architecture\" href=\"https:\/\/www.arquitecturacarreras.com\/2024\/04\/zaha-hadid-frases.html\" target=\"_blank\" rel=\"nofollow noopener\">Arquitectura Carreras.com<\/a>, <a title=\"jmhdezhdez.com\" href=\"https:\/\/www.jmhdezhdez.com\/2019\/09\/arquitectura-deconstructivista-deconstructivismo-obras-caracteristicas-definicion-arquitectos.html\" target=\"_blank\" rel=\"nofollow noopener\">jmhdezhdez.<\/a><a href=\"https:\/\/www.jmhdezhdez.com\/\" rel=\"nofollow noopener\" target=\"_blank\">com<\/a>, <a title=\"Messner Mountain Museum\" href=\"https:\/\/www.messner-mountain-museum.it\/en\/corones\/museum\/\" target=\"_blank\" rel=\"nofollow noopener\">Messner Mountain Museum<\/a>, <a title=\"Nagami\" href=\"https:\/\/nagami.design\/es\/product\/bow\/\" target=\"_blank\" rel=\"nofollow noopener\">Nagami<\/a>, <a title=\"Revistaad.es\" href=\"https:\/\/www.revistaad.es\/articulos\/arquitecta-zaha-hadid-en-15-geniales-frases\" target=\"_blank\" rel=\"nofollow noopener\">Revistaad.es<\/a>, <a title=\"Wikipedia\" href=\"https:\/\/www.goodfon.com\/\" target=\"_blank\" rel=\"nofollow noopener\">Wikipedia<\/a>, <a title=\"Zaha Hadid Architects\" href=\"https:\/\/www.zaha-hadid.com\/\" target=\"_blank\" rel=\"nofollow noopener\">Zaha Hadid Architects<\/a>.<\/p>\n<p><strong style=\"font-style: inherit;\">Images: <\/strong><a title=\"ABC Travel\" href=\"https:\/\/www.abc.es\/viajar\/noticias\/abci-pekin-estrena-mayor-aeropuerto-mundo-201909200111_noticia.html?ref=https%3A%2F%2Fwww.abc.es%2Fviajar%2Fnoticias%2Fabci-pekin-estrena-mayor-aeropuerto-mundo-201909200111_noticia.html\" target=\"_blank\" rel=\"nofollow noopener\">ABC Viajar<\/a>, <a title=\"ADmagazine\" href=\"https:\/\/www.admagazine.com\/arquitectura\/la-primera-obra-que-se-construyo-de-zaha-hadid-vitra-fire-station-20200307-6544-articulos\" target=\"_blank\" rel=\"nofollow noopener\">ADmagazine<\/a>, <a title=\"AllPlan.com\" href=\"https:\/\/www.allplan.com\/blog\/beijing-daxing-airport\/\" target=\"_blank\" rel=\"nofollow noopener\">AllPlan.com<\/a>, <a title=\"Arquine.com\" href=\"https:\/\/arquine.com\/obra\/residencia-capital-hill\/\" target=\"_blank\" rel=\"nofollow noopener\">Arquine.com<\/a>, <a title=\"B&amp;B Italia\" href=\"https:\/\/www.bebitalia.com\/en-us\/en-moon-system-divani.html\" target=\"_blank\" rel=\"nofollow noopener\">B&amp;B Italia<\/a>, <a title=\"FotoMadrid.com\" href=\"https:\/\/www.fotomadrid.com\/verArticulo\/86\" target=\"_blank\" rel=\"nofollow noopener\">FotoMadrid.com<\/a>, <a title=\"GoodFon.com\" href=\"https:\/\/www.goodfon.com\/city\/wallpaper-baku-azerbaijan-concert-hall-architecture-modern-square-ligh.html\" target=\"_blank\" rel=\"nofollow noopener\">GoodFon.com<\/a>, <a title=\"I hoisted\" href=\"https:\/\/www.ize.info\/featured\/zaha-nexxa\" target=\"_blank\" rel=\"nofollow noopener\">Iz\u00e9<\/a>, <a title=\"MANN Report\" href=\"https:\/\/www.mannpublications.com\/mannreport\/2017\/08\/30\/zaha-hadids-520-west-28th-street-wins-architecture-award\/\" target=\"_blank\" rel=\"nofollow noopener\">MANN Report<\/a>, <a title=\"Neutral\" href=\"https:\/\/www.neutradesign.it\/en\/branch\/\" target=\"_blank\" rel=\"nofollow noopener\">Neutra<\/a>, <a title=\"Pxhere.com\" href=\"https:\/\/pxhere.com\/es\/photo\/411495\" target=\"_blank\" rel=\"nofollow noopener\">Pxhere.com<\/a>,           <a title=\"Performance In Lighting\" href=\"https:\/\/www.performanceinlighting.com\/es\/es\/projects-outdoor\/transportation\/aeropuertos\/aeropuerto-internacional-daxing\" target=\"_blank\" rel=\"nofollow noopener\">Performance In Lighting<\/a>, <a title=\"Rob Olivera\" href=\"https:\/\/www.flickr.com\/photos\/190269253@N07\/\" target=\"_blank\" rel=\"nofollow noopener\">Rob Olivera<\/a>, <a title=\"Slamp\" href=\"https:\/\/www.slamp.com\/es\/products\/aria\" target=\"_blank\" rel=\"nofollow noopener\">Slamp<\/a>, <a title=\"Wikimedia Commons\" href=\"https:\/\/commons.wikimedia.org\/wiki\/Portada\" target=\"_blank\" rel=\"nofollow noopener\">Wikimedia Commons<\/a>, <a title=\"Zaha Hadid Architects\" href=\"https:\/\/www.zaha-hadid.com\/\" target=\"_blank\" rel=\"nofollow noopener\">Zaha Hadid Architects<\/a>.<\/p>\n<p><strong>Videos: s\/n. <\/strong><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n<span class=\"et_bloom_bottom_trigger\"><\/span>","protected":false},"excerpt":{"rendered":"<p>Zaha Hadid, an Anglo-Iraqi architect, born in Baghdad in 1950, brought a new vision to contemporary architecture. Her daring projects and her unmistakable curvilinear stamp took her to the top of 21st century architecture. <\/p>\n","protected":false},"author":72,"featured_media":36285,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[84,44,407],"tags":[379,613],"series":[],"class_list":["post-30746","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-people","category-design","category-reports","tag-architecture","tag-furniture","et-has-post-format-content","et_post_format-et-post-format-standard"],"nelio_content":{"autoShareEndMode":"never","automationSources":{"useCustomSentences":false,"customSentences":[]},"efiAlt":"","efiUrl":"","followers":[72,90],"highlights":[],"isAutoShareEnabled":false,"networkImageIds":[],"permalinkQueryArgs":[],"series":[],"suggestedReferences":[]},"_links":{"self":[{"href":"https:\/\/encyclobjects.com\/en\/wp-json\/wp\/v2\/posts\/30746","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/encyclobjects.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/encyclobjects.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/encyclobjects.com\/en\/wp-json\/wp\/v2\/users\/72"}],"replies":[{"embeddable":true,"href":"https:\/\/encyclobjects.com\/en\/wp-json\/wp\/v2\/comments?post=30746"}],"version-history":[{"count":0,"href":"https:\/\/encyclobjects.com\/en\/wp-json\/wp\/v2\/posts\/30746\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/encyclobjects.com\/en\/wp-json\/wp\/v2\/media\/36285"}],"wp:attachment":[{"href":"https:\/\/encyclobjects.com\/en\/wp-json\/wp\/v2\/media?parent=30746"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/encyclobjects.com\/en\/wp-json\/wp\/v2\/categories?post=30746"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/encyclobjects.com\/en\/wp-json\/wp\/v2\/tags?post=30746"},{"taxonomy":"series","embeddable":true,"href":"https:\/\/encyclobjects.com\/en\/wp-json\/wp\/v2\/series?post=30746"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}