{"id":27817,"date":"2024-09-25T18:48:43","date_gmt":"2024-09-25T16:48:43","guid":{"rendered":"https:\/\/encyclobjects.com\/?p=27817"},"modified":"2025-04-18T18:11:44","modified_gmt":"2025-04-18T16:11:44","slug":"in-the-prodigious-mind-of-thomas-feichtner","status":"publish","type":"post","link":"https:\/\/encyclobjects.com\/en\/in-the-prodigious-mind-of-thomas-feichtner\/","title":{"rendered":"In the Prodigious Mind of Thomas Feichtner"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row admin_label=&#8221;1 &#8211; Introducci\u00f3n a Thomas Feichtner&#8221; _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;1 &#8211; Introducci\u00f3n a Thomas Feichtner&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_85 ez-toc-wrap-left counter-hierarchy ez-toc-counter ez-toc-transparent ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Index<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999999;color:#999999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999999;color:#999999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 eztoc-toggle-hide-by-default' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/encyclobjects.com\/en\/in-the-prodigious-mind-of-thomas-feichtner\/#Introduction_to_Thomas_Feichtner\" >Introduction to Thomas Feichtner<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/encyclobjects.com\/en\/in-the-prodigious-mind-of-thomas-feichtner\/#Short_Biography\" >Short Biography<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/encyclobjects.com\/en\/in-the-prodigious-mind-of-thomas-feichtner\/#Exhibitions\" >Exhibitions<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/encyclobjects.com\/en\/in-the-prodigious-mind-of-thomas-feichtner\/#Awards\" >Awards<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/encyclobjects.com\/en\/in-the-prodigious-mind-of-thomas-feichtner\/#Creations\" >Creations<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/encyclobjects.com\/en\/in-the-prodigious-mind-of-thomas-feichtner\/#Furniture\" >Furniture<\/a><ul class='ez-toc-list-level-4' ><li class='ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/encyclobjects.com\/en\/in-the-prodigious-mind-of-thomas-feichtner\/#A-Chair\" >A-Chair<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-8\" href=\"https:\/\/encyclobjects.com\/en\/in-the-prodigious-mind-of-thomas-feichtner\/#Basso_modular_shelving_system\" >Basso, modular shelving system<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-9\" href=\"https:\/\/encyclobjects.com\/en\/in-the-prodigious-mind-of-thomas-feichtner\/#Fino_collection\" >Fino collection<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-10\" href=\"https:\/\/encyclobjects.com\/en\/in-the-prodigious-mind-of-thomas-feichtner\/#FX10_Lounge_Chair\" >FX10 Lounge Chair<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-11\" href=\"https:\/\/encyclobjects.com\/en\/in-the-prodigious-mind-of-thomas-feichtner\/#Studio_Chair\" >Studio Chair<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-12\" href=\"https:\/\/encyclobjects.com\/en\/in-the-prodigious-mind-of-thomas-feichtner\/#Table_services\" >Table services<\/a><ul class='ez-toc-list-level-4' ><li class='ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-13\" href=\"https:\/\/encyclobjects.com\/en\/in-the-prodigious-mind-of-thomas-feichtner\/#Absolut_Feichtner\" >Absolut Feichtner<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-14\" href=\"https:\/\/encyclobjects.com\/en\/in-the-prodigious-mind-of-thomas-feichtner\/#Absolut_Cooler\" >Absolut Cooler<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-15\" href=\"https:\/\/encyclobjects.com\/en\/in-the-prodigious-mind-of-thomas-feichtner\/#Fine\" >Fine<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-16\" href=\"https:\/\/encyclobjects.com\/en\/in-the-prodigious-mind-of-thomas-feichtner\/#Fruit_Bowl\" >Fruit Bowl<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-17\" href=\"https:\/\/encyclobjects.com\/en\/in-the-prodigious-mind-of-thomas-feichtner\/#Reset\" >Reset<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-18\" href=\"https:\/\/encyclobjects.com\/en\/in-the-prodigious-mind-of-thomas-feichtner\/#Lighting\" >Lighting<\/a><ul class='ez-toc-list-level-4' ><li class='ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-19\" href=\"https:\/\/encyclobjects.com\/en\/in-the-prodigious-mind-of-thomas-feichtner\/#Balance\" >Balance<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-20\" href=\"https:\/\/encyclobjects.com\/en\/in-the-prodigious-mind-of-thomas-feichtner\/#Fractal_Light\" >Fractal Light<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-21\" href=\"https:\/\/encyclobjects.com\/en\/in-the-prodigious-mind-of-thomas-feichtner\/#Product\" >Product<\/a><ul class='ez-toc-list-level-4' ><li class='ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-22\" href=\"https:\/\/encyclobjects.com\/en\/in-the-prodigious-mind-of-thomas-feichtner\/#Olimpic_Torch\" >Olimpic Torch<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-23\" href=\"https:\/\/encyclobjects.com\/en\/in-the-prodigious-mind-of-thomas-feichtner\/#Pandoretta\" >Pandoretta<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-24\" href=\"https:\/\/encyclobjects.com\/en\/in-the-prodigious-mind-of-thomas-feichtner\/#Street_Light\" >Street Light<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-25\" href=\"https:\/\/encyclobjects.com\/en\/in-the-prodigious-mind-of-thomas-feichtner\/#Door_Handle\" >Door Handle<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-26\" href=\"https:\/\/encyclobjects.com\/en\/in-the-prodigious-mind-of-thomas-feichtner\/#Jewelry\" >Jewelry<\/a><ul class='ez-toc-list-level-4' ><li class='ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-27\" href=\"https:\/\/encyclobjects.com\/en\/in-the-prodigious-mind-of-thomas-feichtner\/#654_Bracelet\" >654 Bracelet<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-28\" href=\"https:\/\/encyclobjects.com\/en\/in-the-prodigious-mind-of-thomas-feichtner\/#Spline_Ring\" >Spline Ring<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-29\" href=\"https:\/\/encyclobjects.com\/en\/in-the-prodigious-mind-of-thomas-feichtner\/#Experimental\" >Experimental<\/a><ul class='ez-toc-list-level-4' ><li class='ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-30\" href=\"https:\/\/encyclobjects.com\/en\/in-the-prodigious-mind-of-thomas-feichtner\/#A_simple_car\" >A simple car<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-31\" href=\"https:\/\/encyclobjects.com\/en\/in-the-prodigious-mind-of-thomas-feichtner\/#Carbon_Chair\" >Carbon Chair<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-4'><a class=\"ez-toc-link ez-toc-heading-32\" href=\"https:\/\/encyclobjects.com\/en\/in-the-prodigious-mind-of-thomas-feichtner\/#Public_Restroom\" >Public Restroom<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-33\" href=\"https:\/\/encyclobjects.com\/en\/in-the-prodigious-mind-of-thomas-feichtner\/#Books\" >Books<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-34\" href=\"https:\/\/encyclobjects.com\/en\/in-the-prodigious-mind-of-thomas-feichtner\/#Opinion\" >Opinion<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-35\" href=\"https:\/\/encyclobjects.com\/en\/in-the-prodigious-mind-of-thomas-feichtner\/#Information_bibliography_and_media\" >Information, bibliography and media<\/a><\/li><\/ul><\/nav><\/div>\n<h2><span class=\"ez-toc-section\" id=\"Introduction_to_Thomas_Feichtner\"><\/span>Introduction to Thomas Feichtner<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><strong>Thomas Feichtner<\/strong>, an exponent in the world of <strong>Industrial Design<\/strong>, is the protagonist of this report. In the world of <strong>Design<\/strong> it is very difficult to work for <strong>brands that are very different from each other<\/strong>. Normally, designers specialize in one type of product: <strong>furniture<\/strong>, <strong>lighting<\/strong>, <strong>graphics<\/strong>, <strong>product<\/strong>, etc. This is not the case with <strong>Thomas Feichtner<\/strong>, who, in this discipline, has done <strong>practically everything<\/strong>.  <\/p>\n<p><strong>Thomas Feichtner <\/strong>creates a design based on the <strong>simplicity<\/strong>, <strong>geometric lines<\/strong> and <strong>functionality<\/strong> of the piece. It makes <strong>no concession to the superfluous<\/strong> and <strong>ignores embellishments and filigrees<\/strong>. Minimalist? Of course. His <strong>exercise in synthesis<\/strong> is intense and he strives for the fundamentals:<strong> concept<\/strong> and <strong>function<\/strong>. Beauty then comes as a consequence of a series of<strong> unlikely intersections of lines<\/strong>, the <strong>formation of unusual angles<\/strong> and <strong>superb execution <\/strong>on <strong>suitable materials<\/strong>.     <\/p>\n<p><strong>The pencil <\/strong>(he is a pencil magician)<strong> is his tool<\/strong>, his <strong>prodigious mind<\/strong> directs it with mastery until the formation of the piece. Their <strong>spatial vision<\/strong> and <strong>perspectives<\/strong> are simply admirable, they have an irresistible attraction and explain, with extreme clarity, the <strong>process of formation of the piece<\/strong>. In short, <strong>a delight<\/strong>. <strong>Check it out<\/strong>.  <\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2024\/09\/universidad-de-arte-y-diseno-de-linz-by-Isiwal-1116x720px.jpeg&#8221; alt=&#8221;Night image of the fa\u00e7ade of the building of the University of Art and Design in Linz, Austria.&#8221; title_text=&#8221;universidad-de-arte-y-dise\u00f1o-de-linz-by-Isiwal-1116x720px.jpg&#8221; url=&#8221;http:\/\/www.thomasfeichtner.com\/ABOUT\/Thomas-Feichtner&#8221; admin_label=&#8221;Imagen Biograf\u00eda&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><strong>Universidad de Arte y Dise\u00f1o de Linz<\/strong>. Por\u00a0<a title=\"Isiwal\" href=\"https:\/\/commons.wikimedia.org\/w\/index.php?curid=30238603\" target=\"_blank\" rel=\"noopener nofollow\">Isiwal<\/a>.<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;1.1 &#8211; Peque\u00f1a biograf\u00eda&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Short_Biography\"><\/span>Short Biography<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><strong>Thomas Feichtner<\/strong>, born in <strong>Vit\u00f3ria<\/strong>, <strong>Brazil<\/strong>, in <strong>1970<\/strong>, to Austrian parents, is an <strong>internationally renowned<\/strong> industrial designer. Director<strong> of the Institute of Industrial Design at the Joanneum University of Applied Sciences in Graz<\/strong> (<strong>Austria<\/strong>), he studied <strong>Industrial Design<\/strong> at the <strong>University of Art and Design in Linz.<\/strong> <\/p>\n<p>International brands such as <strong>Swarovski<\/strong>, <strong>Laufen<\/strong>, <strong>Bene<\/strong>, <strong>Adidas<\/strong>, <strong>Head<\/strong>, <strong>Absolut<\/strong>, <strong>Lobmeyr<\/strong> and <strong>Augarten<\/strong> have published his designs. He has carried out projects in collaboration with manufacturers such as <strong>Vitra<\/strong>, <strong>Thonet<\/strong> and <strong>FSB<\/strong>. <\/p>\n<p>His work, halfway between <strong>industry<\/strong> and <strong>craftsmanship<\/strong>, mass production and the unique piece, has been acquired by <strong>several design collections<\/strong>. He has participated in various international exhibitions such as the <strong>Milan Triennale<\/strong>, the <strong>Saint Etienne International Design Biennale<\/strong> or the <strong>MAK<\/strong> (Austrian Museum of Applied Arts \/ Contemporary Art in Vienna). <\/p>\n<p><strong>Thomas Feichtner<\/strong> has been awarded several <strong>international design awards<\/strong>. In <strong>2011<\/strong> and <strong>2022<\/strong> he received the <strong>Austrian State Design Award<\/strong>. From <strong>2009<\/strong> to <strong>2014<\/strong> he was <strong>Professor of Product Design<\/strong> at the <strong>Muthesius University of Fine Arts and Design<\/strong> in <strong>Kiel<\/strong> and since <strong>2018<\/strong> he has been a member of the board of directors of <strong>DesignAustria<\/strong>, the <strong>Austrian<\/strong> design association.   In <strong>2010<\/strong> he published a personal monograph entitled <strong><em>&#8220;Thomas Feichtner \u2013 Edge to Edge&#8221;<\/em><\/strong> and in <strong>2016<\/strong> <strong><em>&#8220;Thomas Feichtner \u2013 Design Unplugged&#8221;<\/em><\/strong> published by <strong>the MAK.<\/strong><\/p>\n<p>He lives and works in <strong>Vienna<\/strong> and<strong> Graz<\/strong> with his wife <strong>Simone<\/strong>.<\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2024\/09\/exposiciones-thomas-feichtner-1200x376px.jpg&#8221; alt=&#8221;Images from 4 exhibitions by Thomas Feichtner.&#8221; title_text=&#8221;exposiciones-thomas-feichtner-1200x376px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Exposiciones&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a title=\"Exhibitions\" href=\"http:\/\/www.thomasfeichtner.com\/ABOUT\/Exhibition-List\" target=\"_blank\" rel=\"noopener nofollow\">Exhibitions<\/a> by <strong>Thomas Feichtner<\/strong>. 1  2 &#8211; <strong>Bildraum Bodensee<\/strong>, 3 &#8211; <strong>NWW, KAPO Showroom<\/strong>, Vienna, 4 &#8211; <strong>Triennale di Milano<\/strong>. <\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;1.2 &#8211; Exposiciones&#8221; _builder_version=&#8221;4.27.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Exhibitions\"><\/span>Exhibitions<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>Some of the exhibitions that<strong>\u00a0Feitchner<\/strong> has made throughout his long professional career:<\/p>\n<ul>\n<li>2015 \u2013 <strong>Triennale di Milano<\/strong> (Italy).<\/li>\n<li>2014 \u2013 <strong>Arch Moscow<\/strong>, The Central House of Artists, Moscow (Russia).<\/li>\n<li>2013 \u2013 <strong>ICFF New York 2013<\/strong>, Jacob K. Javits Convention Center: New York, USA<\/li>\n<li>2012 \u2013 <strong>Helsinki Word Design<\/strong>, Suvilahti, Austrian Design Net, World Design Capital Helsinki 2012 (Finland).<\/li>\n<li>2012 \u2013 <strong>Tendence,<\/strong> Frankfurt (Germany).<\/li>\n<li><em>2011 \u2013 <\/em><strong>Barcelona World Architecture Festiva<\/strong>l, Advantage Austria Lounge, Barcelona (Spain).<\/li>\n<li>2011 \u2013 <strong>100% Design London<\/strong>, London (England).<\/li>\n<li>2011 \u2013 <strong>MaisonObjet Paris<\/strong>, Parc des Expositions de Paris Nord Villepinte, Paris (France).<\/li>\n<li>2010<em> \u2013 <\/em><strong>Mus\u00e9e d&#8217;Art moderne de la ville de Paris<\/strong>, Carnets d&#8217;inspiration, Paris (France).<\/li>\n<li>2010 \u2013 <strong>International Biennial of Design<\/strong>, Saint Etienne (France).<\/li>\n<li>2010 \u2013 <strong>La Biennale di Venezia<\/strong>, Longing for, Arsenale, 12. Mostra Internationale di Architettura, La Biennale di Venezia 2010 (Italy).<\/li>\n<li>2009 \u2013 <strong>100% Design Tokyo<\/strong>, Spot on Wien, Flashing Austrian Design and Music, Tokyo (Japan).<\/li>\n<li>2009 \u2013 <strong>World Best Design Seoul<\/strong>, Korea (South Korea).<\/li>\n<li><em>2007 \u2013 <\/em><strong>Tokyo Designer&#8217;s Week 2007<\/strong>, Blickfang, Tokyo (Japan).<\/li>\n<li>2007 \u2013 <strong>ICFF New York<\/strong>, Pure Austrian Design, New York, USA.<\/li>\n<li>2007 \u2013 <strong>IMM Cologne<\/strong>, International Furniture Fair, Cologne (Germany).<\/li>\n<li>2001 \u2013 <strong>EXPO Hanover<\/strong>, Hannover (Germany). <strong>(IF Design Award 2000).<\/strong><\/li>\n<\/ul>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2024\/09\/studio-thomas-feichtner-bene-geman-design-award-2019-1080x607px.jpg&#8221; alt=&#8221;Image of the Studio workspace system, designed by Thomas Feichtner for Bene, consisting of tables, shelves, seating and accessories.&#8221; title_text=&#8221;studio-thomas-feichtner-bene-geman-design-award-2019-1080x607px&#8221; url=&#8221;https:\/\/www.german-design-award.com\/en\/the-winners\/gallery\/detail\/22908-studio-by-bene.html&#8221; admin_label=&#8221;Imagen Premios&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><strong>Thomas Feichtner&#8217;s<\/strong> <a title=\"Studio\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/Video-13\/Bene-Studio\" target=\"_blank\" rel=\"noopener nofollow\">Studio<\/a> work system for <a title=\"Bene\" href=\"https:\/\/bene.com\/en\/products\/designer\/thomas-feichtner\" target=\"_blank\" rel=\"noopener nofollow\">Bene<\/a>. <a title=\"German Design Award 2019\" href=\"https:\/\/www.german-design-award.com\/en\/the-winners\/gallery\/detail\/22908-studio-by-bene.html\" target=\"_blank\" rel=\"noopener nofollow\">German Design Award 2019<\/a>.<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;1.3 &#8211; Premios&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Awards\"><\/span>Awards<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><strong>Thomas Feichtner&#8217;s<\/strong> work has received numerous awards. Below we list some of them: <\/p>\n<ul>\n<li><strong>German Design Award Winner 2019<\/strong>, German Design Council, Frankfurt, Germany.<\/li>\n<li><strong>IF Design Award 2018<\/strong>, International Forum Design Hannover, Germany.<\/li>\n<li><strong>reddot design award 2018<\/strong>, Design Zentrum Nordrhein-Westfalen, Essen, Germany.<\/li>\n<li><strong>Good Design Award 2013<\/strong>, The Chicago Athenaeum, Museum of Architecture and Design, Chicago, USA.<\/li>\n<li><strong>Interior Innovation Award 2012<\/strong>, Rat f\u00fcr Formgebung \/ German Design Council, Cologne, Germany.<\/li>\n<li><strong>reddot design award 2010<\/strong>, Design Zentrum Nordrhein-Westfalen, Essen, Germany.<\/li>\n<li><strong>European Design Award 2009<\/strong>, IDA International Council of Graphic Design Associations, Athens, Greece.<\/li>\n<li><strong>Design Award of the Federal Republic of Germany 2007<\/strong>, German Design Council, Frankfurt, Germany.<\/li>\n<li><strong>Gustav Klimt Prize 2004<\/strong>, Vienna, Austria.<\/li>\n<li><strong>reddot design award 2004<\/strong>, Design Zentrum Nordrhein-Westfalen, Essen, Germany.<\/li>\n<li><strong>IF Design Award 2002<\/strong>, International Forum Design Hannover, Germany.<\/li>\n<li><strong>IF Design Award<\/strong> <strong>2001<\/strong>, International Forum Design Hannover, Germany.<\/li>\n<\/ul>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=&#8221;2 &#8211; Creaciones&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2024\/09\/newspaper-display-thomas-feichtner-1080x343px.jpg&#8221; alt=&#8221;Newspaper Display, design by Thomas Feichtner presented in 4 images (sketches, colors, action and real view).&#8221; title_text=&#8221;newspaper-display-thomas-feichtner-1080x343px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Creaciones&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a title=\"Newspaper display\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/Newspaper\" target=\"_blank\" rel=\"noopener nofollow\">Newspaper display<\/a>, created by <strong>Thomas Feichtner.<\/strong> Producer:<strong> Die Neue, Newspaper. <\/strong>Austria<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;2 &#8211; Creaciones&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Creations\"><\/span>Creations<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<div class=\"AxqVh\">\n<div class=\"OPPzxe\">\n<div class=\"QcsUad BDJ8fb BLojaf sMVRZe hCXDsb wneUed\">\n<div class=\"usGWQd\">\n<div class=\"KkbLmb\">\n<div class=\"lRu31\" dir=\"ltr\">\n<p><strong> Feichtner&#8217;s<\/strong> work is a compendium of <strong>good work<\/strong> and an exercise in <strong>minimalist design<\/strong>. From a process of <strong>conceptual reflection<\/strong> (function is the key element of the work), the designer exercises his pen with mastery, defining the scope of the piece in general terms. There is no doubt that <strong>observation<\/strong> is a prominent element in the creation process, which is why <strong>Thomas Feichtner<\/strong> makes <strong>several sketches<\/strong> of the piece before putting the team to work. Sometimes, he makes <strong>small scale models<\/strong> to validate the idea.   <\/p>\n<p>His creative process is <strong>clean<\/strong>, <strong>orderly<\/strong> and <strong>reflective<\/strong>, starting from a <strong>basic idea<\/strong> he composes a figure and studies the viability of his production. His extraordinary knowledge of <strong>craftsmanship<\/strong> and <strong>industrial production processes<\/strong> allows him, with the stroke of a pen, to identify the <strong>ideal material<\/strong> and the right <strong>production process<\/strong> for each idea. <\/p>\n<p>His strong conceptual conviction has always led him along paths of <strong>economy<\/strong>, <strong>sustainability<\/strong> and <strong>durability over time<\/strong>. Their designs, I would dare to describe them as such, are <strong>forceful,<\/strong> <strong>elegant and simple<\/strong> (the most difficult). I have selected some of his works classifying them by <strong>their typology<\/strong>. Let&#8217;s look at them.   <\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=&#8221;2.1 &#8211; Mobiliario&#8221; _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2024\/09\/neubau-chair-890x445px.jpg&#8221; alt=&#8221;Neubau Chair, designed by Thomas Feichtner, presented in blue, maroon and black colors.&#8221; title_text=&#8221;neubau-chair-890x445px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Mobiliario&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a title=\"Neubau Chair\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/Kohlmaier-Wien\" target=\"_blank\" rel=\"noopener nofollow\">Neubau Chair<\/a>, armchair designed by <strong>Thomas Feichtner<\/strong>. Production: <a title=\"Kohlmaier\" href=\"http:\/\/kohlmaier.wien\/\" target=\"_blank\" rel=\"noopener nofollow\">Kohlmaier<\/a>, Vienna (Austria). <\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;2.1 &#8211; Mobiliario&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Furniture\"><\/span>Furniture<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>One of the main facets of <strong>Thomas Feichtner&#8217;s<\/strong> design. Its contribution to this segment is clearly <strong>inspired by<\/strong> <strong>minimalism<\/strong> and <strong>purity<\/strong> of designs. <\/p>\n<p><strong>Thomas Feichtner<\/strong> looks at furniture with an <strong>eye of renewal<\/strong>, generally <strong>hinting at unknown lines and shapes<\/strong> (FX1 or Loungue Chair), when he develops a <strong>conceptual series<\/strong> (Fino Collection) <strong>he looks for simplicity of design and<\/strong> <strong>pure lines. <\/strong>Also, as a result of his high knowledge,<strong> he likes to show the assembly<\/strong> or welding technique, making a nod to the <strong>craftsmanship of always<\/strong>.<\/p>\n<p>Some outstanding pieces in this facet are:<\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2024\/09\/a-chair-846x550px.jpg&#8221; alt=&#8221;A-Chair, designed by Thomas Feichtner. Elegant stretchers made of beech wood with sketches on the side. &#8221; title_text=&#8221;a-chair-846x550px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen A-Chair&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a title=\"A-Chair\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/Schmidinger-Moebelbau\" target=\"_blank\" rel=\"noopener nofollow\">A-Chair<\/a> and sketches, <strong>Thomas Feichtner<\/strong>.<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;2.1.1 &#8211; A-Chair&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"A-Chair\"><\/span>A-Chair<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p>Proof <strong>of the exercise of synthesis<\/strong> that surrounds <strong>Thomas Feichtner&#8217;s<\/strong> work is this chair. The <strong>A-Chair<\/strong> is the <strong>pure synthesis<\/strong>: an interesting and studied <strong>beech wood frame<\/strong> (square section), allows the support of the <strong>back<\/strong> and <strong>forearms<\/strong>. The different pieces of the frame (for economy and sustainability) are <strong>glued together using a &#8220;sawtooth&#8221;,<\/strong> giving the whole a <strong>great solidity<\/strong> and <strong>light weight. <\/strong>A <strong>tribute<\/strong> to <strong>traditional carpentry<\/strong>.  <\/p>\n<p><strong> Chair A<\/strong> was made in cooperation with the <a href=\"https:\/\/www.bildrecht.at\/bildraum\/\" rel=\"nofollow noopener\" target=\"_blank\">Bildraum Bodensee<\/a> and the <a href=\"https:\/\/www.werkraum.at\/en\" rel=\"nofollow noopener\" target=\"_blank\">Werkraum Bregenzerwald<\/a>. It was first shown in <strong>April 2016<\/strong> as part of the <strong>exhibition &#8220;Thomas Feichtner \/ Design Unplugged&#8221;<\/strong> at the <strong>Bildraum Bodensee<\/strong>. <\/p>\n<p><strong>Date:<\/strong> 2016. <strong>Dimensions:<\/strong> 800 x 560 x 480 mm. (height x width x depth). <strong>Material:<\/strong> beech wood. <strong>Produced by:<\/strong><a href=\"https:\/\/www.schmidinger-moebelbau.at\/\" rel=\"nofollow noopener\" target=\"_blank\"> Schmidinger M\u00f6belbau<\/a>.<\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2024\/09\/basso-1080x550px.jpg&#8221; alt=&#8221;Basso, shelving systems. A modular design by Thomas Feichtner based on fibre cement. &#8221; title_text=&#8221;basso-1080x550px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Basso&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a title=\"Basso\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/Eternit-Design\" target=\"_blank\" rel=\"noopener nofollow\">Basso<\/a>, modular shelving system, <strong>Thomas Feichtner<\/strong>.<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;2.1.2 &#8211; Basso, sistema de estanter\u00edas&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"Basso_modular_shelving_system\"><\/span><strong>Basso, modular shelving system<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p>This racking system, manufactured by <strong>Eternit AG<\/strong> and designed by <strong>Thomas Feichtner<\/strong>, is made of<strong> asbestos-free fibre cement <\/strong>. In this <strong>new version<\/strong>, since the <strong>80s<\/strong>, cement has been agglomerated with AR (resistant alkali) <strong>fiberglass <\/strong>, improving its <strong>mechanical properties<\/strong>. Today, <strong>Eternit&#8217;s fiber cement<\/strong> is a material with excellent <strong>weather resistance<\/strong>, <strong>low weight<\/strong> and <strong>good rigidity<\/strong>. It is also a <strong>sustainable material, respectful of the environment<\/strong> and <strong>health<\/strong>.   <\/p>\n<p>Throughout history, <strong>Eternit<\/strong> has produced <strong>fibre cement furniture<\/strong> conceived by renowned designers and architects such as <strong>Le Corbusier<\/strong>, <strong>Willy Guhl<\/strong> or, lately, <strong>Nicolas Le Moigne<\/strong> and <strong>Rainer Mutsch<\/strong>. The <strong>project &#8220;Basso&#8221;<\/strong> with <strong>Thomas Feichtner<\/strong>, consists of <strong>3 different elements<\/strong>. Stacked on top of each other or next to each other, these prisms are fixed <strong>by cylindrical wooden pegs<\/strong>. <strong>&#8220;Basso&#8221; <\/strong>works well<strong> indoors and outdoors <\/strong>and is suitable for storing <strong>books, folders, wine bottles or firewood.<\/strong>  <\/p>\n<p>Its design stands out for its<strong> simplicity <\/strong>and<strong> transparency. <\/strong>Its name comes from the beginning of<strong> Eternit&#8217;s <\/strong>collaboration with <strong>Thomas Feichtner <\/strong>in<strong> Milan,<\/strong> more specifically at the<strong> &#8220;Bar Basso&#8221;.<\/strong><\/p>\n<p><strong>Date:<\/strong> 2012. <strong>Material:<\/strong> Fibre. <strong>Produced by:<\/strong> <a href=\"https:\/\/www.swisspearl.com\/at\" rel=\"nofollow noopener\" target=\"_blank\">Eternit AG.<\/a><\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2024\/09\/fino-collection-1200x370px.jpg&#8221; alt=&#8221;Fino collection, home furniture program designed by Thomas Feichtner in solid oak.&#8221; title_text=&#8221;fino-collection-1200x370px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Fino Collection&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a title=\"Fino collection\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/Anrei\" target=\"_blank\" rel=\"noopener nofollow\">Fino collection<\/a>, solid oak home furniture program. Design: <strong>Thomas Feichtner<\/strong> for <a title=\"Anrei\" href=\"https:\/\/anrei.at\/\" target=\"_blank\" rel=\"noopener nofollow\">Anrei<\/a>. <\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;2.1.3 &#8211; Fino collection&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"Fino_collection\"><\/span><strong>Fino collection<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h4>\n<div class=\"AxqVh\">\n<div class=\"OPPzxe\">\n<div class=\"QcsUad BDJ8fb BLojaf sMVRZe hCXDsb wneUed\">\n<div class=\"usGWQd\">\n<div class=\"KkbLmb\">\n<div class=\"lRu31\" dir=\"ltr\">\n<p><strong>ANREI<\/strong> is one of the oldest furniture companies in <strong>Austria<\/strong> (<strong>1894<\/strong>). Founded by <strong>Anton Reisinger<\/strong>, it has been producing solid wood furniture for generations. A common interest in traditional craftsmanship and contemporary design led to the collaboration with <strong>Thomas Feichtner<\/strong>.  <\/p>\n<p>On this occasion, <strong>Thomas Feichtner<\/strong> designed a complete collection of solid wood furniture. There are <strong>18 pieces<\/strong> made <strong>of oak wood<\/strong> (dining tables, benches, chairs, wardrobes, shelves, a secretary, stools and side tables). The aim was to <strong>reduce weight<\/strong>, for which <strong>Feichtner<\/strong> devised a kind of <strong>chassis<\/strong>, a lightweight sub-construction that <strong>joins the legs with the rest of the elements<\/strong> (boards or seat surfaces upholstered in leather).  <\/p>\n<p>This <strong>&#8220;intelligent&#8221; connection<\/strong> gives the collection its <strong>own identity<\/strong> and the design, a greater sense of lightness, due to the interaction of straights, edges and legs narrowing towards the ground.<\/p>\n<p><strong>Date:<\/strong> 2013. <strong>Material:<\/strong> oak wood. <strong>Produced by<\/strong>: ANREI.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2024\/09\/fx10-lounge-chair-1200x440px.jpg&#8221; alt=&#8221;FX10 Lounge chair, designed by Thomas Feichtner. Black leather armchair for the firm Neue Wiener Werkst\u00e4tte, Austria. &#8221; title_text=&#8221;fx10-lounge-chair-1200x440px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen FX10 Lounge Chair&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a title=\"Fx10 Lounge Chair\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/Neue-Wiener-Werkstaette\/FX10-Lounge-Chair-3\" target=\"_blank\" rel=\"noopener nofollow\">Fx10 Lounge Chair<\/a>, armchair designed by <strong>Thomas Feichtner<\/strong> for <span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\"><strong>Neue Wiener Werkst\u00e4tte.<\/strong><\/span><\/span><\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;2.1.4 &#8211; FX10 Lounge chair&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"FX10_Lounge_Chair\"><\/span><strong>FX10 Lounge Chair<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h4>\n<div class=\"AxqVh\">\n<div class=\"OPPzxe\">\n<div class=\"QcsUad BDJ8fb BLojaf sMVRZe hCXDsb wneUed\">\n<div class=\"usGWQd\">\n<div class=\"KkbLmb\">\n<div class=\"lRu31\" dir=\"ltr\">\n<p>With the idea of creating a compact and <strong>seamless<\/strong> <strong>armchair<\/strong>, <strong>Thomas Feichtner<\/strong> designed the <strong>FX10 Lounge Chair<\/strong>. The name <strong>FX10<\/strong> is actually the name of a ski binding that <strong>Feichtner<\/strong> previously designed for the ski manufacturer <strong>Fischer<\/strong>. Due to the <strong>great similarity<\/strong> of the approaches of both designs and in memory of ski bindings, this armchair bears the same name.  <\/p>\n<p>The <strong>FX10 Lounge Chair<\/strong> has several surfaces, each of which is <strong>upholstered<\/strong> and <strong>covered with leather<\/strong>. The surfaces come together to form a whole, like the <strong>ice blocks of an igloo<\/strong>. No seams or expensive machining required, the <strong>FX10<\/strong> is <strong>quick<\/strong> to produce and is <strong>easy to repair<\/strong> by simply changing a surface.  <\/p>\n<p>In terms of shape, the <strong>FX10 Lounge Chair<\/strong> starts from a rectangular prism. The <strong>surfaces in contact with the body<\/strong> are formed by joining <strong>irregular polygons of 4 sides<\/strong> that coincide on one of their edges, forming a <strong>seat<\/strong>, <strong>backrest<\/strong>,<strong> armrests<\/strong> and <strong>leg rests<\/strong>. The <strong>top view<\/strong> and <strong>front view<\/strong> of this armchair look <strong>almost like a mirror<\/strong>. The key is two <strong>small triangles<\/strong>, the only surfaces that have <strong>three anchor points<\/strong>, which connect the <strong>seat shell<\/strong> and <strong>the base body<\/strong>.   <\/p>\n<p>The <strong>FX10 Lounge Chair<\/strong> is mass-produced in <strong>Neue Wiener Werkst\u00e4tte<\/strong> and sold worldwide.<\/p>\n<p><strong>Date:<\/strong> 2006. <strong>Material:<\/strong> wood, leather. <strong>Produced by<\/strong>: Neue Wiener Werkst\u00e4tte.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2024\/09\/studio-chair-850x550px.jpg&#8221; alt=&#8221;Studio chair. Office chair created by Thomas Feichtner for the German company Bene. &#8221; title_text=&#8221;studio-chair-850x550px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Studio Chair&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a title=\"Studio Chair\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/Bene-Officechair\" target=\"_blank\" rel=\"noopener nofollow\">Studio Chair<\/a>, chair designed by <strong>Thomas Feichtner<\/strong> for <a title=\"Bene GmbH\" href=\"https:\/\/bene.com\/en\/products\/chair-upholstered-furniture\/studio-chair-with-castors\" target=\"_blank\" rel=\"noopener nofollow\">Bene GmbH<\/a><\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;2.1.5 &#8211; Studio Chair&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"Studio_Chair\"><\/span><strong>Studio Chair<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h4>\n<div class=\"AxqVh\">\n<div class=\"OPPzxe\">\n<div class=\"QcsUad BDJ8fb BLojaf sMVRZe hCXDsb wneUed\">\n<div class=\"usGWQd\">\n<div class=\"KkbLmb\">\n<div class=\"lRu31\" dir=\"ltr\">\n<div class=\"lRu31\" dir=\"ltr\">\n<p>When <strong>Thomas<\/strong> <strong>Feichtner<\/strong> designed the <strong>Studio Chair<\/strong> , he thought of absolutely everything. He made a chair that can be configured according to his use. The conception of the chair (the essence), is based on <strong>2 curved plywood surfaces<\/strong>, one forms the seat and begins the backrest and in turn, supports the second piece that gathers the back.  <\/p>\n<p>In favor <strong>of versatile production methods<\/strong>, he devised <strong>2 types of backrest<\/strong>, <strong>3 types of legs<\/strong> (4-legged base, 2 skids or legs with wheels). The <strong>seat<\/strong> and <strong>backrest<\/strong> are available <strong>with or without upholstery<\/strong> (fabric or leather) and the base can be <strong>stacked<\/strong> or <strong>height-adjustable<\/strong>. <\/p>\n<p>Undoubtedly, an exercise in <strong>brilliant, timeless and versatile contemporary design<\/strong> made for the German company <strong>Bene<\/strong>. The <strong>Studio<\/strong> series is completed by the <a href=\"http:\/\/www.thomasfeichtner.com\/Work\/Bene\" rel=\"nofollow noopener\" target=\"_blank\">products Studio Shelf<\/a> (shelving system) and <a href=\"http:\/\/www.thomasfeichtner.com\/Work\/Bene-Office\" rel=\"nofollow noopener\" target=\"_blank\">Studio Table<\/a> (work and conference tables). <\/p>\n<p><strong>Date:<\/strong> n\/n. <strong>Material:<\/strong> plywood, steel, leather and fabric. <strong>Produced by<\/strong>: Bene GmbH.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=&#8221;2.2 &#8211; Servicios de mesa&#8221; _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2024\/09\/servicios-de-mesa-1200x500px-1.jpg&#8221; alt=&#8221;Table services designed by Thomas Feichtner, Porcelain vase, Carafe jug and Saliera spice racks.&#8221; title_text=&#8221;servicios-de-mesa-1200x500px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Servicios de mesa&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\">Table services designed by <strong>Thomas Feichtner<\/strong>. <a title=\"Porcelain vase\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/Porzellanmanufaktur-Augarten\" target=\"_blank\" rel=\"noopener nofollow\">A Porcelain vase<\/a>, <a title=\"Carafe\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/Carafe\" target=\"_blank\" rel=\"noopener nofollow\">Carafe<\/a> jug and spice containers <a title=\"Left\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/Jarosinski-Vaugoin\" target=\"_blank\" rel=\"noopener nofollow\">Saliera<\/a>. <\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;2.2 &#8211; Servicios de mesa&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Table_services\"><\/span>Table services<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>Objects that we use daily, that we see in living rooms, dining rooms and kitchens and that, in most cases, go <strong>unnoticed by us<\/strong>. We do not keep in our minds the image of the <strong>last salt shaker<\/strong> with which we season meat, the <strong>last vase<\/strong> with flowers we saw or <strong>the jug<\/strong> with which we pour cold water. <\/p>\n<p>Our designer, <strong>Thomas Feichtner<\/strong>, has also dealt with these types of items and has grouped them under a generic heading that he calls <strong>&#8220;Table services&#8221;.<\/strong> I think it <strong>is right<\/strong> to bring them together under this heading, since, despite the <strong>different uses<\/strong> they represent, they are a graphic example of <strong>the place where they carry out their activity<\/strong>. <\/p>\n<p>In this area, <strong>Feichtner<\/strong> deploys his know-how with <strong>elegant lines<\/strong>, <strong>with very studied intersections<\/strong> and <strong>eminently functional shapes<\/strong>. They are <strong>easy to identify<\/strong> because they maintain the <strong>&#8220;Feichtner essence&#8221;,<\/strong> characterized by their <strong>intersections<\/strong> and the formation of <strong>really attractive polygons<\/strong>. You don&#8217;t have to look far to find, right away, the <strong>basic concept<\/strong> that inspires each piece.  <\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2024\/09\/absolut-feichtner-1200x500px.jpg&#8221; alt=&#8221;Absolut Feichtner, tableware designed by Thomas Feichtner for Absolut, a vodka brand of the Pernod Ricard group.&#8221; title_text=&#8221;absolut-feichtner-1200x500px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Absolut Feichtner&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a title=\"Absolut Feichtner\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/Absolut-Vodka\" target=\"_blank\" rel=\"noopener nofollow\">Absolut Feichtner<\/a> glass, designed by <strong>Thomas Feichtner<\/strong> for the extraordinary <a title=\"Abolut Elyx\" href=\"https:\/\/www.absolut.com\/es-es\/products\/absolut-elyx\/\" target=\"_blank\" rel=\"noopener nofollow\">Abolut Elyx<\/a> vodka.<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;2.2.1 &#8211; Absolut Feichtner&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"Absolut_Feichtner\"><\/span>Absolut Feichtner<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><strong>Thomas Feichtner<\/strong> was commissioned by <strong>Absolut Vodka<\/strong> to design a <strong>new glass glass<\/strong> for its best vodka: <strong>Absolut Elyx<\/strong>. <strong>Absolut&#8217;s<\/strong> new creation was a <strong>vodka distilled and rectified by hand <\/strong>in the original <strong>1921<\/strong> copper kettle. For <strong>Absolut Elyx<\/strong>, the brand wanted a <strong>new glass<\/strong> and <strong>cooler <\/strong>that would complement and underline the character of the new vodka.  <\/p>\n<p>The concept of the cup is based on <strong>previous designs<\/strong>, in which some pieces<strong> are supported on 3 legs<\/strong>. This is the case of the <strong>A Porcelain Vase vase<\/strong> for <strong>Augarten<\/strong>, the <strong>Fruit Bowl <\/strong>fruit bowl and the <a href=\"http:\/\/www.thomasfeichtner.com\/Work\/Linz-Hocker\" rel=\"nofollow noopener\" target=\"_blank\">Linz hocker<\/a> stool. In all cases, this<strong> &#8220;tripod&#8221;<\/strong> concept brings <strong>greater stability<\/strong> to each piece.  <\/p>\n<p><strong>Feichtner<\/strong> comments: \u2013 <em>&#8220;I am fascinated by the formal alternation between positive and negative, between breast and cosine. And here, I absolutely wanted to separate the body of the vessel from the surface on which it rests and thus also create a visually independent and self-sufficient object.&#8221;<\/em><\/p>\n<p>The design then takes on an <strong>additional dimension<\/strong>: its geometric character invites <strong>exploration<\/strong> and <strong>touch<\/strong>. It is a glass that maintains <strong>a careful balance<\/strong> between <strong>weight<\/strong>, <strong>glass thickness<\/strong> and <strong>height<\/strong>, which makes it feel in the hand naturally. <\/p>\n<p>The <strong>Absolut Feichtner<\/strong> cocktail is made with <strong>Elyx<\/strong>, a little wheat syrup, lime juice, a splash of <strong>Peychaud&#8217;s<\/strong> syrup and a punch of <strong>Angostura<\/strong>. It has a <strong>light body<\/strong> and a <strong>floral aroma<\/strong> that enhances the natural flavor of the vodka. It has a <strong>soft copper hue<\/strong> that links it to its origin: the nearly 100-year-old <strong>copper teapot No. 51<\/strong> in <strong>Ahus<\/strong>, <strong>Sweden<\/strong>.  <\/p>\n<p><strong>Date:<\/strong> 2014. <strong>Material: <\/strong>glass (suitable for dishwasher cleaning). <strong>Produced by<\/strong>: Absolut.<\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2024\/09\/absolut-cooler-1200x500px.jpg&#8221; alt=&#8221;Absolut Cooler, a cooling vessel designed by Thomas Feichtner for the Swedish firm Absolut of the Pernod Ricard Group.&#8221; title_text=&#8221;absolut-cooler-1200x500px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Absolut Cooler&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a title=\"Absolut Cooler\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/Absolut-Cooler\/Absolut-Cooler-12\" target=\"_blank\" rel=\"noopener nofollow\">Absolut Cooler cooling<\/a> vessel, designed by <strong>Thomas Feichtner<\/strong> for the extraordinary <strong>Abolut Elyx<\/strong> vodka.<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;2.2.2 &#8211; Absolut Cooler&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"Absolut_Cooler\"><\/span>Absolut Cooler<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p>Following the <strong>general lines<\/strong> of the glass vase, <strong>Thomas Feichtner<\/strong> created the <strong>Absolut Cooler<\/strong> on the basis of a <strong>conical trunk figure<\/strong> made of <strong>aluminum<\/strong> with a <strong>copper<\/strong> finish.<\/p>\n<p><strong>Date:<\/strong> 2015. <strong>Material: <\/strong>aluminum finished in copper. <strong>Produced by<\/strong>: Absolut.<\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2024\/09\/cuberteria-fina-1080x550px.jpg&#8221; alt=&#8221;Fine cutlery, designed by Thomas Feichtner, made of stainless steel for Carl Mertens.&#8221; title_text=&#8221;cuberteria-fina-1080x550px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Fina&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a title=\"Fine\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/Carl-Mertens\" target=\"_blank\" rel=\"noopener nofollow\">Fine<\/a>, cutlery designed by <strong>Thomas Feichtner<\/strong> for <a title=\"Carl Mertens\" href=\"https:\/\/www.carl-mertens.com\/\" target=\"_blank\" rel=\"noopener nofollow\">Carl Mertens<\/a>.<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;2.2.3 &#8211; Fina&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"Fine\"><\/span><strong>Fine<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h4>\n<div dir=\"ltr\">\n<p>In the <strong>thirteenth century<\/strong>, in the German city of <strong>Solingen<\/strong> , <strong>iron swords<\/strong> and weapons began to be <strong>manufactured<\/strong>. Later, <strong>knives<\/strong> and <strong>cutlery<\/strong> would also be made from high-quality steel. <strong>The Solingen<\/strong> cucuter\u00eda, since then, has been recognized worldwide. In fact, <strong>Solingen<\/strong> is the only city in the world that has its <strong>name protected as a trademark<\/strong>.   <\/p>\n<p>In <strong>1919<\/strong>, <strong>Carl Mertens<\/strong> founded his <strong>factory for high-quality stainless steel cutlery there. <\/strong>Its products are endorsed worldwide and exhibited in museums such as the <strong>MoMa<\/strong> (Museum of Modern Art in New York). A tradition at <strong>Carl Mertens<\/strong> is to collaborate with designers in the creation of its collections. <\/p>\n<p>The collaboration with <strong>Thomas Feichtner<\/strong> is all about bringing <strong>together traditional craftsmanship<\/strong> and <strong>contemporary design<\/strong>. The <strong>Fina<\/strong> cutlery is based on previous <strong>Feichtner<\/strong> designs, such as the <strong>Reset<\/strong> glasses (2008), the <a href=\"http:\/\/www.thomasfeichtner.com\/Work\/Wiener-Porzellanmanufaktur-Augarten\" rel=\"nofollow noopener\" target=\"_blank\">Shortcut<\/a> tableware. The goal for <strong>Fina<\/strong> was that, over time, an <strong>emotional value<\/strong> would be created beyond its usefulness. The design concept is to create a formal connection between individual parts by means <strong>of elongated surfaces<\/strong>, <strong>narrow radii<\/strong> and <strong>pronounced geometric lines<\/strong>.   <\/p>\n<p>In all its pieces there is a contrast between the <strong>wide body<\/strong> and the <strong>thin handle<\/strong>. Hence its name: <strong>Fina, <\/strong>synonymous with <strong>slenderness<\/strong> and <strong>elegance<\/strong>. <strong>Fina<\/strong> was first exhibited as part of the <strong>Thomas Feichtner<\/strong>, <strong>Hands On Design<\/strong> exhibition at the <strong>Austrian Cultural Forum in London<\/strong> during the <strong>2011 London Design Festival<\/strong>. <\/p>\n<p><strong>Date:<\/strong> 2011. <strong>Material<\/strong>: Stainless steel. <strong>Produced by:<\/strong> Carl Mertens.<\/p>\n<\/div>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2024\/09\/fruit-bowl-990x550px.jpg&#8221; alt=&#8221;Fruit Bowl, fruit bowl designed by Tomas Feichtner in Silver 940\/000 for Wiener Silber Manufactur.&#8221; title_text=&#8221;fruit-bowl-990x550px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Fruit Bowl&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a title=\"Fruit Bowl\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/Wiener-Silber-Manufactur-3\" target=\"_blank\" rel=\"noopener nofollow\">Fruit Bowl<\/a>, fruit bowl designed by <strong>Thomas Feichtner<\/strong> for <a title=\"Wiener Silber Manufactur\" href=\"https:\/\/www.wienersilbermanufactur.com\/en\/\" target=\"_blank\" rel=\"noopener nofollow\">Wiener Silber Manufactur<\/a>, Austria.<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;2.2.4 &#8211; Fruit Bowl&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"Fruit_Bowl\"><\/span><strong>Fruit Bowl<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h4>\n<div class=\"AxqVh\">\n<div class=\"OPPzxe\">\n<div class=\"QcsUad BDJ8fb BLojaf sMVRZe hCXDsb wneUed\">\n<div class=\"usGWQd\">\n<div class=\"KkbLmb\">\n<div class=\"lRu31\" dir=\"ltr\">\n<p><span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\"><strong>Thomas Feichtner<\/strong>, fascinated by the history of <strong>Viennese silver<\/strong>, designed this piece for <strong>Wiener Silber Manufactur<\/strong>.<\/span><\/span> <span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">This <strong>bowl<\/strong> is not a rounded body, but a sophisticated intersection of internal and <strong>external<\/strong> <strong>surfaces<\/strong>.<\/span><\/span><\/p>\n<p>Looking at the piece, it seems that the fruit could fall through the openings, but, in action, <strong>the fruit is wedged in the vertices<\/strong>. The aim is to reduce the contact surface of the fruit with the fruit bowl <strong>as much as possible<\/strong>, thus <strong>minimising the pressure area<\/strong> and, therefore, damage to the fruit.<\/p>\n<p>Returning to <strong>the conceptual design of the piece<\/strong>, the <strong>organic shapes of the fruit<\/strong> contrast with the <strong>self-supporting structure<\/strong> with a <strong>three-legged<\/strong> base (again). With a <strong>&#8220;technical-futuristic&#8221;<\/strong> appearance, it follows the patterns of <strong>intersections<\/strong> and <strong>lines<\/strong> of <strong>Thomas Feichtner<\/strong>, who, for this occasion, recovering the <strong>historical concept of the fruit bowl<\/strong>, also turns it into a <strong>sculptural object<\/strong>.<\/p>\n<p>The <strong>genius of the design<\/strong> lies in the production of the piece from a <strong>silver foil<\/strong> and <strong>a press<\/strong>. <strong>Extraordinary!<\/strong><\/p>\n<p><strong>Date:<\/strong> 2010. <strong>Material:<\/strong> Silver 940\/000. <strong>Dimensions<\/strong>: 170 x 170 x 200 mm. <strong>Produced by<\/strong>: Wiener Silber Manufactur.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2024\/09\/reset-1200x450px.jpg&#8221; alt=&#8221;Reset, glasses and containers designed by Thomas Feichtner for Stamm. Pencil sketch. &#8221; title_text=&#8221;reset-1200x450px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Reset&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a title=\"Reset\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/Stamm\/Reset-11\" target=\"_blank\" rel=\"noopener nofollow\">Reset<\/a>, a set of glasses and containers designed by <strong>Thomas Feichtner<\/strong> for <a title=\"Stamm\" href=\"https:\/\/stamm.at\/\" target=\"_blank\" rel=\"noopener nofollow\">Stamm<\/a>.<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;2.2.5 &#8211; Reset&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"Reset\"><\/span><strong>Reset<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h4>\n<div class=\"AxqVh\">\n<div class=\"OPPzxe\">\n<div class=\"QcsUad BDJ8fb BLojaf sMVRZe hCXDsb wneUed\">\n<div class=\"usGWQd\">\n<div class=\"KkbLmb\">\n<div class=\"lRu31\" dir=\"ltr\">\n<div class=\"lRu31\" dir=\"ltr\">\n<p><strong>Stamm<\/strong>, founded in <strong>1859<\/strong>, is a publishing house of<strong> Austrian design<\/strong> and <strong>traditional craftsmanship<\/strong>. In collaboration with <strong>Thomas Feichtner<\/strong> and his <strong>&#8220;Reset&#8221;<\/strong> tableware, they have created studied <strong>glasses<\/strong> and <strong>containers<\/strong> in <strong>glass<\/strong>, <strong>porcelain<\/strong> and <strong>silver<\/strong>, combining <strong>contemporary design<\/strong> and the most careful <strong>craftsmanship<\/strong> . <\/p>\n<p>The predominant note is the <strong>abandonment of the classic characteristics of the vajill<\/strong>a. All sidewalls <strong>taper towards the bottom edge<\/strong>, giving a <strong>lightweight appearance<\/strong>. Although the base is <strong>reduced in surface area<\/strong>, <strong>the structure is no less stable<\/strong> than that of another container of the same height. This is because the <strong>center of gravity<\/strong> of the part is shifted downwards, restoring stability.  <\/p>\n<p>In addition to the provocative design, <strong>Thomas Feichtner<\/strong> and <strong>Stamm<\/strong> added an additional plus of revolution by naming the collection <strong>&#8220;Reset&#8221;,<\/strong> hinting at a <strong>complete reset of the tableware concept<\/strong> and, in turn, promoting a <strong>new beginning<\/strong> for the <strong>Stamm<\/strong> brand. It was first presented at Vienna <strong>Design Week<\/strong> <strong>2009<\/strong>. <\/p>\n<p><strong>Date<\/strong>: 2009. <strong>Material:<\/strong> crystal, porcelain and silver. <strong>Produced by<\/strong>: Stamm.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=&#8221;2.3 &#8211; Iluminaci\u00f3n&#8221; _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2024\/09\/iluminacion-1200x352px.jpg&#8221; alt=&#8221;Lighting, designs by Thomas Feichtner for different European manufacturers.&#8221; title_text=&#8221;iluminacion-1200x352px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Iluminaci\u00f3n&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\">Different lamps designed by <strong>Thomas Feichtner<\/strong>: <a title=\"One Crystal Chandelier\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/J-L-Lobmeyr\" target=\"_blank\" rel=\"noopener nofollow\">One Crystal Chandelier<\/a>, <a title=\"Coma lamp\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/Coma-Lamp\" target=\"_blank\" rel=\"noopener nofollow\">Coma lamp<\/a>, <a title=\"Pipes lamp\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/Karboxx-2\" rel=\"nofollow noopener\" target=\"_blank\">Pipes lamp<\/a> and <a title=\"Tom lamp\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/Interio-2\" target=\"_blank\" rel=\"noopener nofollow\">Tom lamp<\/a>.<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;2.3 &#8211; Iluminaci\u00f3n&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Lighting\"><\/span>Lighting<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p><strong>Thomas Feichtner<\/strong> also develops his <strong>concepts<\/strong> and <strong>ideas<\/strong> in the world of lighting. Not as profusely as in other disciplines, but also in lighting you <strong>&#8220;notice&#8221; Feichtner&#8217;s pencil<\/strong>. Equally conceptual, dispensing with any ornament or filigree, he designs pieces of <strong>enormous simplicity<\/strong> (Balance Light) and of a very interesting <strong>versatility<\/strong> (Fractal Light).  <\/p>\n<p>In all cases, its <strong>accurate choice of materials<\/strong>, <strong>ease of production<\/strong>, <strong>lighting result<\/strong> and <strong>technological update<\/strong> (LED) stand out. He does not mind how the cable is seen and sometimes uses it as a <strong>structural element<\/strong>, demonstrating, once again, his commitment to<strong> sustainability<\/strong> and <strong>economy<\/strong> of materials. <\/p>\n<p>Another very interesting facet of his contribution to lighting is the ease of working with <strong>various firms<\/strong>: <strong>Preciosa<\/strong>, <strong>Interio<\/strong>, <strong>Karboxx<\/strong> and <a href=\"https:\/\/www.lobmeyr.at\/\" rel=\"nofollow noopener\" target=\"_blank\">J  L Lobmeyr<\/a>.<\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2024\/09\/balance-1080x465px.jpg&#8221; alt=&#8221;Balance, table lamp designed by Thomas Feichtner with LED technology for karboxx.&#8221; title_text=&#8221;balance-1080x465px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Balance&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a title=\"Balance\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/Drawing-Lamp\" target=\"_blank\" rel=\"noopener nofollow\">Balance<\/a> table lamp, designed by <strong>Thomas Feichtner<\/strong> for <a title=\"Karboxx\" href=\"https:\/\/www.karboxx.com\/\" target=\"_blank\" rel=\"noopener nofollow\">Karboxx<\/a>.<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;2.3.1 &#8211; Balance&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"Balance\"><\/span>Balance<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p>In <strong>2009<\/strong>, <strong>Thomas Feichtner<\/strong> designed the <strong>Balance<\/strong> table lamp with <strong>a single light-emitting diode<\/strong> (LED). It was not until <strong>2017<\/strong> that <strong>LED technology<\/strong> made it possible to realize this conceptual marvel. The Italian manufacturer <strong>Karboxx<\/strong> together with <strong>Feichtner<\/strong> presented it at <strong>the International Furniture Fair in Milan<\/strong> that same year.  <\/p>\n<p>The lamp is reduced to <strong>a wire<\/strong> and a <strong>bulb. <\/strong>It is capable of illuminating <strong>the entire surface of the desk<\/strong> or directing its light <strong>precisely to a point<\/strong>. For this task <strong>there is no complex mechanical system<\/strong> or the right of<strong>a reflector<\/strong>, no<strong>. <\/strong>Everything is simpler: place the lamp <strong>in a horizontal position<\/strong>. It&#8217;s simply great, with a <strong>simple swing<\/strong> of this lamp you can concentrate <strong>the entire beam of light on one point<\/strong> on your desk. On the contrary, that is, <strong>in a vertical position<\/strong>, <strong>the entire desk will be illuminated<\/strong>. The lamp maintains <strong>balance<\/strong> thanks to the rocking.    <\/p>\n<p>The construction process is incredibly simple, limiting itself to <strong>bending a steel tube<\/strong> and <strong>passing the cable through its interior<\/strong>. LEDs do not need a reflector to concentrate the emitted light, so it is easy to place it in the tube. <\/p>\n<p><strong>Date:<\/strong> 2009. <strong>Material<\/strong>: steel, LED. <strong>Dimensions<\/strong>: 53 x 30 x 16 cms. <strong>Produced by<\/strong>: Karboxx.<\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2024\/09\/fractal-1200x376px.jpg&#8221; alt=&#8221;Fractal, modular system of lamps designed by Thomas Feichtner for the firm Preciosa.&#8221; title_text=&#8221;fractal-1200x376px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Fractal light&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a title=\"Fractal Light\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/Preciosa\" target=\"_blank\" rel=\"noopener nofollow\">Fractal Light<\/a> modular lighting system. <strong>Thomas Feichtner<\/strong> for <a title=\"Beautiful girl\" href=\"https:\/\/www.preciosa.com\/en\/home\" target=\"_blank\" rel=\"noopener nofollow\">Preciosa<\/a>.<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;2.3.2 &#8211; Fractal light&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"Fractal_Light\"><\/span><strong>Fractal Light<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><strong>Fractal Light System<\/strong> features an industrial aesthetic inspired by <strong>nature<\/strong> (tree branches). <strong>Endlessly patterned<\/strong>, <strong>Fractal<\/strong> is made up <strong>of metal branches<\/strong> and hand-cut <strong>glass plates<\/strong> , which provide <strong>crystal clear light<\/strong>. The tubular metal branches provide <strong>the artistic form<\/strong> to the lamp, <strong>while concealing<\/strong> <strong>the light source.<\/strong><\/p>\n<p><strong>Fractal<\/strong> is, without fear of being wrong, a reinterpretation of the historic <strong>Louis de<\/strong> <strong>Preciosa<\/strong> lamp. <strong>Louis,<\/strong> a <strong>baroque cast brass lamp, <\/strong>is inspired by nature, like <strong>Fractal<\/strong>.<\/p>\n<p>The <strong>chandelier<\/strong> comes in <strong>five different sizes<\/strong>. <strong>Individual pieces from Fractal<\/strong> are also available to achieve a contemporary style in a smaller space, or to group them into groups of <strong>three<\/strong>, <strong>five<\/strong> or <strong>seven<\/strong> pendants.<\/p>\n<p><strong>Date:<\/strong> 2020. <strong>Material<\/strong>: Steel, hand-cut glass. <strong>Produced by:<\/strong> Preciosa, <strong>Czech Republic<\/strong>.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=&#8221;2.4 &#8211; Producto&#8221; _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2024\/09\/producto-thomas-feichtner-1200x378px.jpg&#8221; alt=&#8221;Product. Selection of products designed by Thomas Feichtner for different manufacturers and brands. &#8221; title_text=&#8221;producto-thomas-feichtner-1200x378px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Producto&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\">Products designed by <strong>Thomas Feichtner<\/strong>: <a title=\"Binocular\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/Binocular-2\" target=\"_blank\" rel=\"noopener nofollow\">Binocular<\/a>, <a title=\"Water bottle\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/Gasteiner\" target=\"_blank\" rel=\"noopener nofollow\">Water bottle<\/a>, <a title=\"Bath set\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/Laufen\" target=\"_blank\" rel=\"noopener nofollow\">Bath set<\/a> and <a title=\"Marine Binocular\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/Binocular\" target=\"_blank\" rel=\"noopener nofollow\">Marine Binocular<\/a>.<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;2.4 &#8211; Producto&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Product\"><\/span>Product<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>In the field <strong>of Product Design<\/strong>, Thomas Feichtner has also made his mark. He has developed some very interesting projects for <strong>renowned brands<\/strong> and the objects he has designed are highly appreciated by his users. <\/p>\n<p>I would highlight its <a title=\"Room Door\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/Actual-1\" target=\"_blank\" rel=\"noopener nofollow\">Room Door<\/a> <strong>doors for hotel rooms<\/strong>, the <a title=\"My Silhouette\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/Silhouette\" target=\"_blank\" rel=\"noopener nofollow\">My Silhouette<\/a> glasses or the <strong>Ski FX10 bindings<\/strong> made for <strong>Fischer. <\/strong>In all cases, the Austrian designer has shown his <strong>know-how<\/strong> and his <strong>privileged vision<\/strong> when it comes to conceiving<strong> a new product<\/strong> or a <strong>reinterpretation of an existing<\/strong> one. We have also selected the following products: <\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2024\/09\/olimpic-torch-1200x378px.jpg&#8221; alt=&#8221;Olimpic Torch, an Olympic torch designed by Thomas Feichtner for the 2017 Special Olympics Winter Games in Austria.&#8221; title_text=&#8221;olimpic-torch-1200x378px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Olimpic Torch&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a title=\"Olimpic Torch\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/Special-Olympics\" target=\"_blank\" rel=\"noopener nofollow\">Olympic Torch<\/a>, Olympic torch designed by <strong>Thomas Feichtner<\/strong> for the <strong>2017 Special Olympics Winter Games<\/strong>.<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;2.4.1 &#8211; Olimpic Torch&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"Olimpic_Torch\"><\/span>Olimpic Torch<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p>The<strong> Special Olympics Winter Games <\/strong>represent the largest sporting event for athletes with mental disabilities. In <strong>2017<\/strong>, <strong>Thomas Feichtner<\/strong> designed the Olympic torch for such an important event. It is a conceptual exercise based on the morphology <strong>of ice crystals<\/strong>, an identity element par excellence of the <strong>Styria region (Austria).<\/strong><\/p>\n<p><span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\">As a result of the meticulous observation that <strong>Feichtner<\/strong> always maintains, on this occasion, he based his concept on a <strong>hexagon<\/strong> (regular polygon with 6 sides), a figure that is present in <strong>every ice crystal<\/strong>. To obtain the torch he prepared <strong>three bodies<\/strong> of conical structure <strong>&#8220;in Crescendo&#8221;.<\/strong> The surfaces project onto each other <strong>like a mirror<\/strong> while the object tapers towards the lower edge. A game of surfaces full of <strong>lines<\/strong> and <strong>edges<\/strong> in a memorable approach. A design that gave the <strong>athletes<\/strong> and the <strong>Styria<\/strong> region <strong>its own identity<\/strong>. <\/span><\/span><\/p>\n<p><strong>Date:<\/strong> 2016 \/ 2017. <strong>Material<\/strong>: aluminum, steel. <strong>Produced by<\/strong>: Special Olympics Winter 2017.<\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2024\/09\/pandoretta-1200x500px.jpg&#8221; alt=&#8221;Pandoretta, a sound system designed by Thomas Feichtner for Poet Audio&#8221; title_text=&#8221;pandoretta-1200x500px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Pandoretta&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a title=\"Pandoretta\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/Poetaudio\" target=\"_blank\" rel=\"noopener nofollow\">Pandoretta<\/a>, a 360\u00ba sound system designed by <strong>Thomas Feichtner<\/strong> in collaboration with <a title=\"Poet Audio\" href=\"https:\/\/www.poetsoundsystems.com\/\" target=\"_blank\" rel=\"noopener nofollow\">Poet Audio<\/a>.<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;2.4.2 &#8211; Pandoretta&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"Pandoretta\"><\/span><strong>Pandoretta<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p>With the <strong>most advanced Bluetooth technology<\/strong>, the <strong>Pandoretta<\/strong> system allows you to play music <strong>wirelessly<\/strong> from <strong>smartphones<\/strong> and <strong>computers<\/strong>. <strong>Thomas Feichtner<\/strong> has designed this 360\u00b0 sound system for <strong>Poet Audio<\/strong>.<\/p>\n<p>With <strong>seven speakers<\/strong> and <strong>a 170-watt amplifier, it<\/strong> offers high-quality 360\u00ba sound regardless of the listener&#8217;s position in the space. <strong>Feichtner&#8217;s<\/strong> idea for this project was to consider the product as a <strong>musical instrument<\/strong>, i.e. to create an <strong>acoustic body<\/strong> that could project sound evenly and <strong>in all directions<\/strong>. <\/p>\n<p><strong>Pandoretta<\/strong> looks the same from every perspective. No control elements are visible (it is intended to be controlled mainly by mobile devices), even so, it is possible to control <strong>Pandoreta<\/strong> manually, through <strong>hidden<\/strong> control surfaces. <\/p>\n<p><strong>Date:<\/strong> 2013. <strong>Material<\/strong>: Stainless steel, oak wood. <strong>Produced by:<\/strong> Poet Audio.<\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2024\/09\/street-light-1200x375px.jpg&#8221; alt=&#8221;Street Light. Public lighting proposal designed by Thomas Feichtner in collaboration with CIS and Ecoworld. &#8221; title_text=&#8221;street-light-1200x375px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Street Light&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a title=\"Street Light\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/Ecoworld\" target=\"_blank\" rel=\"noopener nofollow\">Street Light<\/a>, a lighting proposal by <strong>Thomas Feichtner<\/strong> in collaboration with <strong>CIS<\/strong>, <strong>Ecoworld<\/strong>.<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;2.4.3 &#8211; Street Light&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"Street_Light\"><\/span><strong>Street Light<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p>This project, carried out in collaboration with <a title=\"CIS\" href=\"https:\/\/www.cis.at\/\" target=\"_blank\" rel=\"noopener nofollow\">CIS<\/a> (Industrias Cretivas Styria) and <strong>Ecoworld<\/strong>, shows us <strong>Thomas Feichtner<\/strong> in <strong>his purest form<\/strong>. <strong>100% minimalism<\/strong>, <strong>conceptual design<\/strong>, <strong>simple<\/strong>, <strong>sustainable<\/strong> and <strong>easy to<\/strong> implement.<\/p>\n<p>It is a <strong>steel tube<\/strong> into which <strong>die-cast aluminium modules<\/strong> (6) containing the <strong>lighting LED<\/strong> are inserted at a distance. The originality lies in the fact that, <strong>by gravity<\/strong>, they can be <strong>directed at will<\/strong>, directing the beam of light at our convenience. <\/p>\n<p><strong>Date:<\/strong> 2018. <strong>Material<\/strong>: Steel, injected aluminum. <strong>Project partners<\/strong>: CIS, Ecoworld.<\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2024\/09\/door-handle-1200x500px.jpg&#8221; alt=&#8221;Door handle. Door handle design by Thomas Feichtner for the prestigious German firm FSB. &#8221; title_text=&#8221;door-handle-1200x500px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Door Handle&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a title=\"Door Handle\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/FSB-Door-Handle\/FSB-Door-Handle-6\" target=\"_blank\" rel=\"noopener nofollow\">Door Handle<\/a>, handle designed by Thomas Feichtner for <a title=\"FSB\" href=\"https:\/\/www.fsb.de\/en\" target=\"_blank\" rel=\"noopener nofollow\">FSB<\/a><\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;2.4.4 &#8211; Door Handle&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"Door_Handle\"><\/span><strong>Door Handle<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p>The <strong>FSB 5930<\/strong> door handle meets the need to create <strong>ergonomic fittings<\/strong> that are <strong>soft to the touch<\/strong> and <strong>useful<\/strong> for opening and closing doors. On this occasion, <strong>Thomas Feichtner<\/strong> uses <strong>brushed stainless steel<\/strong> , which, in addition to attracting attention, surprises with <strong>a very pleasant touch<\/strong>. <strong>The edges of its design<\/strong> are visually appreciated but are blurred to the touch, helping the operation. <\/p>\n<p>This design<strong> breaks<\/strong> with all the rules of <strong>ergonomics<\/strong> and <strong>axial geometry<\/strong>, surprising in turn, with a <strong>&#8220;different&#8221; ergonomics<\/strong> and an <strong>&#8220;unusual&#8221; feel<\/strong>.<\/p>\n<p><strong>Date:<\/strong> 2007. <strong>Material<\/strong>: Stainless steel. <strong>Produced by:<\/strong> FSB, Germany.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=&#8221;2.5 &#8211; Joyer\u00eda&#8221; _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;2.5 &#8211; Joyer\u00eda&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Jewelry\"><\/span>Jewelry<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>Some of them have been <strong>Thomas Feichtner&#8217;s<\/strong> forays into the world of jewellery and all of them bear <strong>his particular stamp<\/strong>. In this area, the designer prefers <strong>to mark &#8220;his territory&#8221;, <\/strong>preparing pieces with<strong> unlikely lines. <\/strong>Her jewellery provokes reactions and evokes <strong>architectural and geometric concepts<\/strong>, even though these geometries are <strong>&#8220;impossible&#8221;.<\/strong> <\/p>\n<p>I have selected 2 of his works that eloquently explain the <strong>&#8220;Feichtner&#8221;<\/strong> style:<\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2024\/09\/654-bracelet-1200x500px.jpg&#8221; alt=&#8221;654 Bracelet. Jewellery designed in silver by Thomas Feichtner that represents a bracelet composed of multiple polygons. For FAB-Atelier, Austria.  &#8221; title_text=&#8221;654-bracelet-1200x500px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen 654 Bracelet&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a title=\"654 Bracelet\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/FAB-Atelier\/654-Bracelet-13\" target=\"_blank\" rel=\"noopener nofollow\">654 Bracelet<\/a>, jewel designed by <strong>Thomas Feichtner<\/strong> for <a title=\"FAB-Atelier\" href=\"https:\/\/thehappyversum.com\/\" target=\"_blank\" rel=\"noopener nofollow\">FAB-Atelier<\/a>, Austria.<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;2.5.1 &#8211; 654 Bracelet&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"654_Bracelet\"><\/span>654 Bracelet<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><span class=\"jCAhz ChMk0b\"><span class=\"ryNqvb\"><strong>FAB Atelier <\/strong>is a company that produces jewelry exclusively in <strong>digital format<\/strong>. <strong>Thomas Feichtner<\/strong> initially designed this jewel as a <strong>3D piece<\/strong>, later <strong>printed in silver<\/strong> using digital 3D printing technology. <\/span><\/span><\/p>\n<p>The idea is based on stable constructions that are made with <strong>equal modules<\/strong>, such as honeycombs. The polygons, built individually, form a volume with minimal material consumption. The geometric play changes from a <strong>hexagon<\/strong> to a <strong>pentagon<\/strong> and a <strong>rhombus<\/strong> (6, 5 and 4 sides respectively), which explains its name.  <\/p>\n<p><strong>Date:<\/strong> 2017. <strong>Material<\/strong>: Silver. <strong>Produced by<\/strong>: FAB-Atelier, Austria.<\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2024\/09\/spline-ring-1200x500px.jpg&#8221; alt=&#8221;Spline Ring. Ring designed by Thomas Feichtner for FAB-Atelier. The different planes linked to each other stand out  &#8221; title_text=&#8221;spline-ring-1200x500px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Spline Ring&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a title=\"Spline Ring\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/FAB-Atelier-02\" target=\"_blank\" rel=\"noopener nofollow\">Spline Ring<\/a>, ring designed by <strong>Thomas Feichtner<\/strong> for <strong>FAB-Atelier<\/strong>, <strong>Austria<\/strong>.<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;2.5.2 &#8211; Spline Ring&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"Spline_Ring\"><\/span><strong>Spline Ring<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p>Continuing with the idea of <strong>modular constructions<\/strong>, on this occasion, <strong>Thomas Feichtner<\/strong> surprises us with a ring based on<strong> 2 types of planes that are linked together<\/strong>. Meticulously designed, the coupling of all these pieces will result in a <strong>visually very attractive<\/strong> jewel.<\/p>\n<p>The <strong>creation of the volume<\/strong> and, again, the configuration of <strong>different angles<\/strong>, allow this ring not to go unnoticed.<\/p>\n<p><strong>Date:<\/strong> 2017. <strong>Material<\/strong>: Silver, gold-plated stainless steel. <strong>Produced by:<\/strong> FAB-Atelier, Austria.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=&#8221;2.6 &#8211; Experimental&#8221; _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2024\/09\/experimental-feichtner-1200x380px.jpg&#8221; alt=&#8221;Experimental. Some experimental designs by Thomas Feichtner: Crest umbrella stand, Sphere bench, Axiome Chair and Grazer Hocker stool. &#8221; title_text=&#8221;experimental-feichtner-1200x380px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Experimental&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\">Some experimental projects by <strong>Thomas Feichtner<\/strong>: <a title=\"Crest\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/Kirchtag-Schirme\" target=\"_blank\" rel=\"noopener nofollow\">Crest<\/a>, <a title=\"Sphere\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/Dorotheum-Wien\" target=\"_blank\" rel=\"noopener nofollow\">Sphere<\/a>, <a title=\"Axiome Chair\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/Axiome-Chair\" target=\"_blank\" rel=\"noopener nofollow\">Axiome Chair<\/a> and <a title=\"Grazer Hocker\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/Design-Monat-Graz\" target=\"_blank\" rel=\"noopener nofollow\">Grazer Hocker<\/a>.<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;2.6 &#8211; Experimental&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Experimental\"><\/span>Experimental<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>In <strong>Thomas Feichtner&#8217;s<\/strong> mind, ideas are brewing that, far from leaving abandoned in a drawer, he prefers to turn them into <strong>experimental projects.<\/strong> They either <strong>stir consciences<\/strong>, <strong>improve production processes<\/strong> or <strong>create new, more sustainable concepts<\/strong>. These are not impossible ideas but reflections that, sooner or later, will become reality. <\/p>\n<p>Like the title of our article, <strong>Thomas Feichtner&#8217;s<\/strong><strong> prodigious<\/strong> <strong>mind<\/strong> does not rest. In this chapter we have selected <strong>3 experimental projects<\/strong> that will not go unnoticed in the near future. Let&#8217;s look at them:  <\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2024\/09\/a-simple-car-1200x375px.jpg&#8221; alt=&#8221;A simple car, images of the prototype and the sketches designed by Thomas Feichtner.&#8221; title_text=&#8221;a-simple-car-1200x375px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen A simple car&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a title=\"A simple car\" href=\"http:\/\/www.thomasfeichtner.com\/Work\/Mobility-Design\" target=\"_blank\" rel=\"noopener nofollow\">A simple car<\/a>, an experimental project by Thomas Feichtner.<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;2.6.1 &#8211; A simple car&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"A_simple_car\"><\/span>A simple car<span class=\"ez-toc-section-end\"><\/span><\/h4>\n<div class=\"AxqVh\">\n<div class=\"OPPzxe\">\n<div class=\"QcsUad BDJ8fb BLojaf sMVRZe hCXDsb wneUed\">\n<div class=\"usGWQd\">\n<div class=\"KkbLmb\">\n<div class=\"lRu31\" dir=\"ltr\">\n<p>Interestingly, despite the fact that car manufacturers are offering <strong>more powerful and faster designs<\/strong> every day, the <strong>average speed of cars<\/strong> in cities <strong>is lower than that of carriages<\/strong> in the <strong>nineteenth century<\/strong>. Normally, a vehicle <strong>remains parked for 99% of its useful life<\/strong>, without fulfilling any function and <strong>wasting valuable space<\/strong>. <\/p>\n<p><strong>Thomas Feichtner<\/strong> has designed a concept car that aims to drive this <strong>debate<\/strong> forward. The proposal conceives a vehicle as a <strong>room on wheels<\/strong>, as a <strong>mobile workshop<\/strong> or a <strong>sales stand<\/strong>. The idea is to <strong>change the concept<\/strong> of the car, from being a <strong>status symbol<\/strong> to a <strong>fully functional object<\/strong>.  <\/p>\n<p><strong>Date:<\/strong> 2020.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2024\/09\/carbon-chair-1200x500px-2.jpg&#8221; alt=&#8221;Carbon Chair. Image of Thomas Feichtner sitting in his lounge chair designed entirely in carbon fiber. &#8221; title_text=&#8221;carbon-chair-1200x500px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Carbon Chair&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.thomasfeichtner.com\/Work\/Carbon-Chair\" rel=\"nofollow noopener\" target=\"_blank\">Carbon Chair<\/a>, the carbon fiber chair designed by <strong>Thomas Feichtner<\/strong>.<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;2.6.2 &#8211; Carbon Chair&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"Carbon_Chair\"><\/span><strong>Carbon Chair<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><strong>Thomas Feichtner<\/strong> <strong>recurrently reuses concepts<\/strong> in his most advanced designs. I have seen this <strong><em>coincidence<\/em><\/strong> in the approaches on <strong>other occasions<\/strong> and in <strong>other designers<\/strong>. My impression is that, at a certain point, the designer has <strong>certain super clear concepts<\/strong> and it&#8217;s not that he reuses them often, it&#8217;s that <strong>they are part of his basic thinking<\/strong>. In the case of <strong>Feichtner<\/strong>, the use <strong>of three supporting elements<\/strong> in his pieces is often present.   <\/p>\n<p>When I studied <strong>geometry<\/strong>, our teacher (<strong>Gloria<\/strong>, to be precise) asked: <strong><em>Why will a three-legged chair never limp and a four-legged one does sometimes?<\/em><\/strong> You got it right. To form <strong>a plane<\/strong> you need <strong>3 points in space<\/strong>, four points may not be on the same plane, but three, <strong>always<\/strong>. I don&#8217;t know if in the case of <strong>Thomas Feichtner<\/strong> he uses the <strong>3 legs or supports<\/strong> for this reason, but you won&#8217;t deny that it&#8217;s a <strong>good reason<\/strong>.  <\/p>\n<p>In other cases, the designer<strong> looks for symmetries<\/strong>, although inverse, and uses them without blushing. For this occasion, after preparing the <strong>interior model<\/strong> using <strong>3D CNC<\/strong>, he coated the mold with <strong>carbon fiber sheets<\/strong>, drawing a line from top and bottom, <strong>positive<\/strong> and <strong>negative<\/strong>. The result is a set of<strong> interior and exterior surfaces<\/strong> that is repeated in other works. <strong>8 copies<\/strong> of this chair were made and it was part of the <strong>Austrian Design Pioneers exhibition<\/strong> during Milan <strong>Design Week<\/strong> in <strong>2015<\/strong>.   <\/p>\n<p><strong>Date:<\/strong> 2017. <strong>Material<\/strong>: carbon fiber. <strong>Dimensions<\/strong>: 870 x 1160 x 780 mm. <strong>Produced by:<\/strong> Thomas Feichtner Personal Editions.<\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2024\/09\/public-restroom-1200x375px-1.jpg&#8221; alt=&#8221;Public restroom. Image of the concrete element designed by Thoms Feichtner applied to the walls of a public toilet. &#8221; title_text=&#8221;public-restroom-1200x375px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Public restroom&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.thomasfeichtner.com\/Work\/Promenaden-Galerien\" rel=\"nofollow noopener\" target=\"_blank\">Public Restroom<\/a>, public baths for <a href=\"https:\/\/www.promenaden-galerien.at\/\" rel=\"nofollow noopener\" target=\"_blank\">Promenaden Galerien Linz<\/a>, Austria<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;2.6.3 &#8211; Public restroom&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h4><span class=\"ez-toc-section\" id=\"Public_Restroom\"><\/span><strong>Public Restroom<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h4>\n<p><strong>In 2017<\/strong>, the<strong> Promenaden Galerien Linz<\/strong> commissioned <strong>Thomas Feichtner<\/strong> to design the men&#8217;s bathroom. I didn&#8217;t want to design the space like an architect, but <strong>a single object,<\/strong> like a designer involved in the project. He designed 2 objects: an <strong>interactive sink<\/strong> and a <strong>piece of concrete<\/strong> as a repetitive wall covering. The toilet was rejected due to sanitary regulations in public buildings. However, the concrete element became the <strong>absolute protagonist<\/strong> of the project.    <\/p>\n<p>A piece design that, <strong>randomly rotated 90\u00ba<\/strong>, forms <strong>abstract surfaces<\/strong> of very suggestive three-dimensional geometry. <strong>The lighting<\/strong> together with the color of the concrete enhance an attractive and relaxing <strong>play of shadows<\/strong> . In addition, the relief of the surface participates in <strong>a calmer and calmer acoustics<\/strong>. <\/p>\n<p><strong>Date:<\/strong> 2017. <strong>Material: concrete<\/strong>. <strong>Produced by:<\/strong> Promenaden Galerien Linz, Austria.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=&#8221;2.7 &#8211; Gr\u00e1fica&#8221; _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2024\/09\/grafica-1200x375px-1.jpg&#8221; alt=&#8221;Graphic. Graphic images designed by Thomas Feichtner: dialogue of cultures. Linz Culture 2009. Adidas and Vienna Airport.   &#8221; title_text=&#8221;grafica-1200x375px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Gr\u00e1fica&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\">Graphic by <strong>Thomas Feichtner<\/strong>: <a href=\"http:\/\/www.thomasfeichtner.com\/Work\/Dialogue-of-Cultures\" rel=\"nofollow noopener\" target=\"_blank\">Dialogue of Cultures<\/a>, <a href=\"http:\/\/www.thomasfeichtner.com\/Work\/Linz-2009-Kulturhauptstadt-Europas\" rel=\"nofollow noopener\" target=\"_blank\">Linz 2009<\/a> European Capital of Culture, <a href=\"http:\/\/www.thomasfeichtner.com\/Work\/Adidas\" rel=\"nofollow noopener\" target=\"_blank\">Adidas Eyewear<\/a> and <a href=\"http:\/\/www.thomasfeichtner.com\/Work\/Vienna-Airport\" rel=\"nofollow noopener\" target=\"_blank\">Vienna Airport<\/a>.<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;2.7 &#8211; Gr\u00e1fica&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong>Graphic<\/strong><\/p>\n<p>Another facet of the designer <strong>Thomas Feichtner<\/strong> in which he reveals, once again, his <strong>privileged conceptual vision<\/strong> to convey a <strong>clear, simple and suggestive message<\/strong>. I insist once again on diversity as <strong>a<\/strong> differentiating element of <strong>the &#8220;Feichtner style&#8221;,<\/strong> combining airports, coins, typographies, culture and&#8230; I think any topic that is proposed. <\/p>\n<p>One more reflection of the benefits of <strong>minimalism well understood<\/strong>. Judge these 2 works: <\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2024\/09\/euro-coin-855x550px-1.jpg&#8221; alt=&#8221;Euro Coin. Obverse of the \u20ac2 coin designed by Thomas Feichtner for Austria&apos;s 20th anniversary in the EU. &#8221; title_text=&#8221;euro-coin-855x550px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Euro Coin&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.thomasfeichtner.com\/Work\/Euro\" rel=\"nofollow noopener\" target=\"_blank\">Euro Coin<\/a>, design of the <strong>\u20ac2<\/strong> coin commemorating the <strong>20th anniversary<\/strong> of <strong>Austria&#8217;s<\/strong> accession to the <strong>European Union<\/strong>.<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;2.7.1 &#8211; Euro Coin&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong>Euro Coin<\/strong><\/p>\n<p>Reverse of the two-euro coin commemorating the <strong>20th anniversary<\/strong> of<strong> Austria&#8217;s<\/strong> accession to the <strong>European Union<\/strong> with different structures as <strong>haptic recognition<\/strong> elements.<\/p>\n<p><strong>Date<\/strong>: 2014. <strong>Material<\/strong>: brass, nickel and cupronickel.<\/p>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2024\/09\/lencia-1200x520px-1.jpg&#8221; alt=&#8221;Lencia. image of the Typography designed by Thomas Feichtner in 2002. Updated in 2012.  &#8221; title_text=&#8221;lencia-1200x520px.jpg&#8221; show_in_lightbox=&#8221;on&#8221; admin_label=&#8221;Imagen Lencia&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;Pie de imagen&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; text_orientation=&#8221;center&#8221; text_font_size_tablet=&#8221;12px&#8221; text_font_size_phone=&#8221;12px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.thomasfeichtner.com\/Work\/typeface\/Lencia-3\" rel=\"nofollow noopener\" target=\"_blank\">Lencia<\/a>, a typeface created by Thomas Feichtner<\/p>\n<p>[\/et_pb_text][et_pb_text admin_label=&#8221;2.7.2 &#8211; Lencia&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong>Lencia<\/strong><\/p>\n<p>In <strong>2002<\/strong>, <strong>Thomas Feichtner<\/strong> began developing <strong>&#8220;Lencia&#8221;<\/strong> (at that time with the working title &#8221; <strong>Linz Schrift&#8221;),<\/strong> named after his hometown of <strong>Linz<\/strong> (Latin: Lencium). <strong>Feichtner<\/strong> wanted a simple, non-add-on <strong>font<\/strong> based on <strong>circular segments<\/strong> with vertical and horizontal axes. He approached the project more as if he were designing a product. <strong>Lencia<\/strong> follows a grid of <strong>radii<\/strong>, <strong>angles<\/strong>, <strong>cones<\/strong> and <strong>intervals<\/strong>, with an optimal result in the recognition of each letter. <\/p>\n<p><strong>Unified styles<\/strong> for antlers, crossbars, sides, and protrusions. <strong>The height of the uppercase letters matches the lowercase ascendant<\/strong>, this provides a distinctive character when used in titles. The <strong>light<\/strong>, <strong>medium<\/strong> , and <strong>bold<\/strong> styles each use individual metrics, but are still homogeneous. In <strong>2012 Lencia<\/strong> reappeared on the market with an <strong>updated version<\/strong>.  <\/p>\n<p><strong>Lencia<\/strong> is available for download on <strong>Thomas Feichtner&#8217;s<\/strong> website. It is possible to download it for a <strong>free trial<\/strong>. <strong>It is not allowed<\/strong> to use the typography for <strong>commercial purposes<\/strong>. <strong>All rights are also reserved<\/strong>.  <\/p>\n<p><strong>Date<\/strong>: 2002.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=&#8221;2.8 &#8211; Libros&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/encyclobjects.com\/wp-content\/uploads\/2024\/09\/libros-thomas-feichtner-1200x500px-1.jpg&#8221; alt=&#8221;Books edited by Thomas Feichtner. Edge to Edge with various designs and Design Unplugged, this one with his sketches. &#8221; title_text=&#8221;libros-thomas-feichtner-1200x500px.jpg&#8221; admin_label=&#8221;Imagen Libros&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][et_pb_text admin_label=&#8221;2.8 &#8211; Libros&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h3><span class=\"ez-toc-section\" id=\"Books\"><\/span><strong>Books<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>There are two books that<strong> Thomas Feichtner<\/strong> has published and collected on his website, where <strong>you can also buy them<\/strong>.<\/p>\n<p>These are 2 books about his creative work. The first of them:<a href=\"http:\/\/www.thomasfeichtner.com\/ABOUT\/Birkhauser-Book\" rel=\"nofollow noopener\" target=\"_blank\"> Thomas Feichtner, Edge to Edge<\/a>, shows us some of <strong>the most significant works of the designer<\/strong>, with an excellent <strong>gallery of images<\/strong> and with a story commented by himself. The second of them: <a href=\"http:\/\/www.thomasfeichtner.com\/ABOUT\/Birkhauser-Book-2\" rel=\"nofollow noopener\" target=\"_blank\">Design Unplugged<\/a>, is an extraordinary compendium of<strong> all his sketches<\/strong>. Really impressive.   <\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=&#8221;3 &#8211; Opini\u00f3n&#8221; _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;3 &#8211; Opini\u00f3n&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Opinion\"><\/span>Opinion<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>As <strong>was predictable<\/strong>, the one who writes to them, on this, as on other occasions, has had fun. You may be surprised that, <strong>in the task of writing<\/strong> , one can have fun. And they may be right, and in reality have no reason to amuse. But, behind all this is the<strong> didactic work<\/strong> of our magazine and, you will not deny that <strong>learning is a privilege<\/strong> and, with an article like this, full of <strong>beautiful images<\/strong>, one gets an inimitable <strong>natural smile<\/strong> .   <\/p>\n<p>I already knew some of <strong>Thomas Feichtner&#8217;s<\/strong> works, but in the work of this article I have learned much more about this designer. On the one hand, I find very interesting his work with <strong>different manufacturers<\/strong> (very different from each other) and also his interest in <strong>various design disciplines<\/strong>. I thought that the minimalism of <strong>Walter Gropius<\/strong> or <strong>Mies Van der Rohe<\/strong> was <strong>very limited<\/strong> and was not prone to expand into other areas with good results. This is the case of <strong>Thomas Feichtner<\/strong>.   <\/p>\n<p>I like his <strong>conceptual simplicity<\/strong> in a special way, he looks for the essence in all the projects and when he discovers it he directs <strong>all the effort to synthesis<\/strong>, <strong>to what is important<\/strong>. His creations, halfway between <strong>the contemporary<\/strong> and <strong>the handmade<\/strong>, are always revealing. Objects that, by pure and stubborn reason, are <strong>irremediable<\/strong>, <strong>even if they are implausible<\/strong>.  <\/p>\n<p><strong>Feichtner<\/strong> has rejuvenated me for years and <strong>has taught me to see<\/strong>, not with different eyes, but <strong>with a different attitude<\/strong>. Actually, with him <strong>I have learned to look<\/strong>, and now, with each of his sketches I understand his phrase <em>&#8220;Design is an alternative, it is an expression of love for things&#8221;,<\/em> for these things, among others, <strong>I now feel better<\/strong>. <\/p>\n<p>[\/et_pb_text][et_pb_divider _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_divider][et_pb_text admin_label=&#8221;Comentarios&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;12px&#8221; border_radii=&#8221;on|4px|4px|4px|4px&#8221; border_width_all=&#8221;2px&#8221; box_shadow_style=&#8221;preset2&#8243; box_shadow_color=&#8221;#12876F&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong>NOTE:<\/strong> If you liked this article, you can <strong>share it on social media<\/strong>. You can also <strong>rate it with stars<\/strong> below. If you wish to leave a <strong>comment<\/strong>, ask a <strong>question<\/strong> or make any <strong>suggestion<\/strong> you can do so in the <strong>comment box <\/strong>below. <strong>Thank you for your attention!<\/strong>  <\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=&#8221;4 &#8211; Cr\u00e9ditos&#8221; _builder_version=&#8221;4.25.2&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.25.1&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;Informaci\u00f3n, bibliograf\u00eda y medios&#8221; _builder_version=&#8221;4.27.0&#8243; _module_preset=&#8221;default&#8221; border_radii=&#8221;on|3px|3px|3px|3px&#8221; border_width_all=&#8221;2px&#8221; box_shadow_style=&#8221;preset2&#8243; box_shadow_color=&#8221;rgba(131,32,188,0.3)&#8221; locked=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Information_bibliography_and_media\"><\/span>Information, bibliography and media<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p> We use our own means and other means with the availability allowed by current legislation and free access to the <strong style=\"font-style: inherit;\">World Wide Web<\/strong>. (See <a href=\"https:\/\/encyclobjects.com\/en\/terms-and-conditions\/?v=04c19fa1e772\" data-wpel-link=\"internal\">Terms and Conditions<\/a>) <strong style=\"font-style: inherit;\">Texts: <\/strong>Own, based on information from <a title=\"Bene\" href=\"https:\/\/bene.com\/en\/news-events\/studio-interview-with-the-designer-thomas-feichtner\" target=\"_blank\" rel=\"noopener nofollow\">Bene<\/a>, <a title=\"Thomas Feitchner\" href=\"http:\/\/www.thomasfeichtner.com\/\" target=\"_blank\" rel=\"noopener nofollow\">Thomas Feitchner<\/a> . <strong style=\"font-style: inherit;\">Images: <\/strong><a title=\"German Design Award\" href=\"https:\/\/www.german-design-award.com\/en\/the-winners\/gallery\/detail\/22908-studio-by-bene.html\" target=\"_blank\" rel=\"noopener nofollow\">German Design Award<\/a>, <a title=\"Thomas Feitchner\" href=\"http:\/\/www.thomasfeichtner.com\/\" target=\"_blank\" rel=\"noopener nofollow\">Thomas Feitchner<\/a>. <strong>Videos<\/strong>: s\/n.[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n<span class=\"et_bloom_bottom_trigger\"><\/span>","protected":false},"excerpt":{"rendered":"<p>Thomas Feichtner, an exponent in the world of Industrial Design, is the protagonist of this report. In the world of Design it is very difficult to work for brands that are very different from each other.<\/p>\n","protected":false},"author":73,"featured_media":27450,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[44,84,407],"tags":[613,190,161,364],"series":[],"class_list":["post-27817","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-design","category-people","category-reports","tag-furniture","tag-jewelry","tag-office","tag-sound","et-has-post-format-content","et_post_format-et-post-format-standard"],"nelio_content":{"autoShareEndMode":"never","automationSources":{"useCustomSentences":false,"customSentences":[]},"efiAlt":"","efiUrl":"","followers":[90,73],"highlights":[],"isAutoShareEnabled":false,"networkImageIds":[],"permalinkQueryArgs":[],"series":[],"suggestedReferences":[]},"_links":{"self":[{"href":"https:\/\/encyclobjects.com\/en\/wp-json\/wp\/v2\/posts\/27817","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/encyclobjects.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/encyclobjects.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/encyclobjects.com\/en\/wp-json\/wp\/v2\/users\/73"}],"replies":[{"embeddable":true,"href":"https:\/\/encyclobjects.com\/en\/wp-json\/wp\/v2\/comments?post=27817"}],"version-history":[{"count":0,"href":"https:\/\/encyclobjects.com\/en\/wp-json\/wp\/v2\/posts\/27817\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/encyclobjects.com\/en\/wp-json\/wp\/v2\/media\/27450"}],"wp:attachment":[{"href":"https:\/\/encyclobjects.com\/en\/wp-json\/wp\/v2\/media?parent=27817"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/encyclobjects.com\/en\/wp-json\/wp\/v2\/categories?post=27817"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/encyclobjects.com\/en\/wp-json\/wp\/v2\/tags?post=27817"},{"taxonomy":"series","embeddable":true,"href":"https:\/\/encyclobjects.com\/en\/wp-json\/wp\/v2\/series?post=27817"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}