Ernest Beaux<\/a>.<\/p>\nErnest Beaux<\/strong> created an abstract<\/strong> perfume without a defined natural scent. He used a large amount of aldehydes<\/strong>, achieving an innovative aroma. The flowers he mainly used are: ylan-ylang of the Comoros (the<\/strong> flower of the flower), jasmine of Grasse (fruity), roses of May<\/strong>, neroli of Grasse<\/strong>, vanilla of Bourbon, vetiver of Bourbon<\/strong> and sandalwood<\/strong>. <\/strong><\/strong><\/p>\nBeaux<\/strong> presented a series of numbered samples, Chanel<\/strong> chose No. 5<\/strong> , which contained aldehyde and essences. Once the sample was selected, Chanel<\/strong> explained to Ernest Beaux<\/strong>: “I always launch my collection on the fifth day of the fifth month, so number 5 seems to bring me luck; that’s why I’ll call it ‘ No. 5.’<\/strong><\/em> ” <\/em><\/span><\/span><\/span> <\/p>\nInitially, only 100 bottles <\/strong>were produced that Chanel <\/strong>gave away to its best customers. The perfume was so successful<\/strong> that it went from being exclusive to Chanel’s<\/strong> customers to not having enough production<\/strong> to meet the demand of even its circle of customers.<\/span><\/span><\/span><\/span><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.24.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.24.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/encyclobjects.com\/wp-content\/uploads\/2024\/01\/plaza-vendome-vista-aerea-800x515px.jpg” alt=”square-vendome-aerial-view-image” title_text=”plaza-vendome-vista-aerea-800x515px.jpg” url=”https:\/\/es.wikipedia.org\/wiki\/Plaza_Vend%C3%B4me” url_new_window=”on” _builder_version=”4.24.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.24.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/encyclobjects.com\/wp-content\/uploads\/2024\/01\/geometria-frasco-chanel-no-5-400x272px.jpg” alt=”geometry-chanel-bottle-no-5-image” title_text=”geometry-bottle-chanel-no-5-400x272px.jpg” _builder_version=”4.27.0″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” show_in_lightbox=”on” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.24.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/encyclobjects.com\/wp-content\/uploads\/2024\/01\/boutique-chanel-plaza-vendome-18-800x515px.jpg” alt=”boutique-chanel-plaza-vendome-imagen” title_text=”boutique-chanel-plaza-vendome-18-800x515px.jpg” url=”https:\/\/www.chanel.com\/es\/joyeria\/18-place-vendome\/” url_new_window=”on” _builder_version=”4.24.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.24.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.24.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.24.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n
Something unique about this perfume is its bottle<\/strong>. Forgetting the ornate packaging<\/strong> of contemporary perfumes, Chanel<\/strong> opted for a flat<\/strong>, transparent glass<\/strong> container with beveled<\/strong> edges and a small white rectangular label<\/strong> with black edges<\/strong>, no embellishments, just elegance. The transparency of the glass gave the perfume the cleanliness of the pure, the authentic<\/strong>, while the stopper, in a nod to his native Paris<\/strong>, accurately reproduces the floor plan of the famous Place Vend\u00f4me<\/strong>, where his famous jewelry boutique is located at number 18<\/strong>. <\/strong><\/strong><\/span><\/span><\/span><\/span><\/p>\nChanel<\/strong> always commented, “Always simplify, never add.”<\/em> Its case continues with the criteria of simplicity, with a white background<\/strong> and small black borders<\/strong> highlighted with gold<\/strong>. In 1959<\/strong> it entered the Metropolitan Museum in New York<\/a> and in the